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I do appreciate your point, you would like for a sense of authenticity in what you wish, for it to be the "original" project, and I'm not really sure what to say there as such is highly subjective. I don't necessarily believe there is an original project, and if there is, I don't believe we can experience it as we're bringing our own ideas and feelings to the table every time we engage with the story; even watching tokusatsu with subtitles, that is an interpretation rather than the original story. I am confused at how you arrived at some of your examples, though, and this idea that Star Wars is somehow now a franchise based around a central tenet of hating men I find to be incredulous at best. Quote:
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And think very carefully before you do. |
I think I found a better way to convey my feeling :
Targeting a broader audience doesn't equal to changing the product. If we came to like Tokusatsu as it is, the only thing Toei has to do is NOT changing the product, but making it readily available worldwide. Changing the product to target an audience never worked because you end up loosing your established customer base and the new customers will eventually stop from caring. ( Say hello to the Wii/Wii U with the arrival of casual players it didn't work in the long run) |
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However, even if it does change, it doesn't mean that you are somehow locked out forever; those former stories still exist. It's no secret that I've not been a fan of some of the directions modern toku has gone in, but I feel it would be pretty monstrous of me to insist that everyone here only watches Stronger just because of how I feel about those choices. |
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And what changes do you think they're making that's driving away the audience? |
I would say, dreamcast(e)girl? (see my pun?)
That's what I understood from their interactions. As it was said, the product might have to change, and if something like Dragon Ball changed to be more to american's taste, that might happen with Tokus. As for "changing", like it happened in the Showa Era versus Heisei is much more an attempt at modernizing the series than changing its real core elements. Because in the long run, you still had some of the original Rider tropes in Heisei and Neo Heisei riders. There's a thing I would love to discuss but that's another topic (I'm full of contradictions). It's women in Tokusatsu. So that will have to wait a bit I guess. |
God, and I thought this site was more chill about the idea of diversity than most other nerd websites. Was Naki being non-binary, or Yua being the first female tertiary Rider a sin against the great and forever unchanging Showa ideology, forced upon an unwilling Japan by evil American SJWs? Or is it possible that the world as a whole has become a more progressive place, not just in America, but in Japan too?
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I think the original Dragon Ball itself is already an interpretation of American tastes, drawing its influence as much from Superman comics as Chinese texts. In fact I could argue that Dragon Ball is not an authentic translation of Journey to the West, but it would be silly, because I enjoy both of these stories. I'm labouring the point and I don't wish to sound tiresome. I keep coming back to how Power Rangers was received when it was originally aired, and whilst I have never paid much attention to the show, I always thought it sad that one of the ways in which people mocked those stories was because they sought to represent a broader and diverse cast. I will end my comments here, but I really don't think it would be a bad thing for stories to learn from such an example. |
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