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Also I don't have a great memory for events, so it can be hard to recollect and reminisce. It makes my life feel empty sometimes. All of this is to say, Deep is kind of a sad person, who struggle a lot to live a fulfilling life, and or set up the things that'll make my life better. Edit: Also toei give me more Buster/Slash/Calibur content please. |
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It's okay to be sad about this stuff. (Trio of Deep Sin is an enormously, gloriously sad movie.) It's okay to mourn a little, even. But losing yourself to those emotions is never going to help you. Friendships aren't ever gone, even if friends move on. You're still the same person that was befriended and befriended others, and you owe it to the world to find happiness. |
Well uh... damn.
Yeah that's all I've got. |
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A film that is considered by many to be the best rider film and just a great film overall, outside of the tokusatsu genre. I'm not even sure if it should count as a tokusatsu, given that the first battle takes place at the 40th minute of the movie, and the protagonist only transforms at all 10 minutes before the end. Cinematography, interesting work with the camera, no obsession with toys - all this is in this great film.
I would also like to note that the trio of riders play roles here, which in fact represent different stages of one life: a son, a lover and a father. The antagonists are also good and cause understanding and sympathy (although Rintaro's father's motives turned out to be crumpled). It is also worth noting how delightfully beautiful the film becomes at the very end, when the four main characters already sing Bittersweet. Fukuda said that this part is called the Quartet of Deep Love because the previous title no longer fit the story. I'll even post a video here so that those who wish can remember how wonderful it is: https://www.youtube.com/watch?v=EVRlq5MyCwY And going back to Ryoga's mustache, Fukuda wanted Touma to have a beard, but Shuichiro Naito was too busy with other projects to grow it.And don't be sad, Shindai special will be more fun. |
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It wasn't because it was some extraneous spinoff I didn't feel like making the time for, the way a lot of the other things in that boat are. I was extremely excited for this film, and extremely glad to have watched it. But actually talking about it feels almost vulgar to me? I'm glad Die didn't actually write anything *about* the movie, in a literal sense, either, because I think his post really gets at the beauty of the story it tells. Trio of Deep Sin is almost shockingly abstract as a work of art, and because of that, I prefer to let everyone have their own little personal relationship with it. It's a movie that'll likely leave with a mess of feelings and things to think about, and what those are will be different for everyone. It's a movie as much about what you end up putting into it as it is what you take out of it. It's maybe hard to describe the difference when you can say much the same about any piece of media, but that's Trio of Deep Sin to me, as much as I feel like describing it. It isn't one movie -- there are as many different versions of it as there are people who have seen it. Or at least, that's my take on it! |
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Congrats on your 2400th post! Quote:
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I really love that Saber opted to make its first V-Cin into a contemplative, character-focused adult drama. It's mature in the way stuff like Amazons and Black Sun never were to me: conflicted about adulthood, desperate to connect emotionally, and melancholy about its superheroics. It's... yeah, it's just a good movie, full stop. Quote:
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