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(Extrapolate infinitely for DC and Marvel comic universes.) |
It doesn't necessarily have to be established from the very start but if Gokaiger has taught me anything about Super Sentai, there is more lose ends than one can physically count.
I'm just surprised that their show is actually such a tattered mess, and rather than Gokaiger attempting to perhaps round off or even unify all the bits and pieces it chooses to just smash them all together whether it works or not. It almost feels like a Neo Saban way of approaching an issue, "well we CAN beat it, but who puts in effort?" and like I say, it's especially shocking from a show that is otherwise pretty much perfect. |
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Thats something that gets only worse and worse in Gokaiger ones you get to the point were they kinda through out 90% of their plans for the story out the window :lol |
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Any attempt to make the existing Sentai series into one flawless continuty is doomed without major retcons, and the only members of the audience who would appreciate it are a tiny fraction of a percent who are not even in the target audience. There is no possible gain for the writers to do so that would be worth the time and effort it would take. |
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Don't you think that part of the reason IDW and Image sell less comics than DC or Marvel because they don't have the financial backing of 2 of the wealthiest media corporations in the world? |
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But that doesn't change that a show like Gokaiger is the perfect way to wrap up, and perhaps make sense, of a franchise with no regard for continuity. It didn't need to make it under the banner of some master plan, but even as someone who isn't that into sentai, I'm shocked by the general lack of resolution or any real attempt at cohesion when doing the tribute episodes. |
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Yes they did but not because of "continuity" but because of the giant collector craze in the 90s. People bought tons of comics in the 90s with the intent of waiting a few years and then selling them for enormous prices. Digital comics also helped lowering the sales of print comics in the last five years or so But since this conversation is as far off topic as we could possibly get with it we should get back on track :lol Quote:
http://forums.henshinjustice.com/sho...7&postcount=28 |
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It seems that the Japanese love to celebrate the imperfections of each popular franchise. It's why the weird-ass jump cuts still exist in Sentai. It's why Ultraman still has the zipper-fin. It's why Godzilla is still clearly a man in a rubber suit. They incorporate the charmingly flawed elements into the DNA of the show. Even when advancements in technology make those "flaws" avoidable, they still find a way into the show. And when you excise them (as Go-Busters did), Japanese fans react very negatively. Gokaiger wasn't meant to fix things going forward, it was meant to revel in the past. It's a love letter that celebrates the franchise, warts and all. Go-Busters was an attempt to usher in that brave new direction you crave, with a brand new continuity and new timeline and everything. I recall reading that it was designed to streamline future shows into one universe (like the neo-Heisei Rider shows). But because it failed so badly on a commercial level, I think Toei apparently abandon that more realism-based, continuity-minded approach. |
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I can't believe that two of my favourite episodes, Carranger and Jetman tributes weren't originally planned! They both turned out fantastic. |
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It didn't necessarily fail because of the realism/continuity-mindedness. But because that was part of the show, and Toei appears to want to strike it from people's memory, I don't think they're eager to reach back into that bag of tricks. |
double post! please delete.
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And I agree that Gokaiger could have been used to try and create a logical combined universe, but chances are no one on the production team wanted to do that. Like I said, it's not worth the time and effort for the show's staff. I'm not sure what you mean by 'resolution', though. The past Sentais got their resolution in their own series. The tribute episodes are a combined 'where are they now?' and giving the new guys a helping hand/teaching them a lesson. They were never supposed to be a signifigant plot add-on to the series they are tributing. |
The problem with Gobus is beneath the pretence it's a deeply flawed show anyway, and the majority of its flaws have nothing to do with aesthetic or style choices. But I will still admit, unlike Japan, I don't plan to live the rest of my life fifty years in the past.
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But for Gokaiger, because in my head it takes place in this weird Versus universe where everything is a bit askew, I find the weird incongruities appealing. Makes my brain work hard to figure out explanations. (I believe that is known as a fanwank. :lol) |
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The Gokaigers could repower all the teams by giving they keys back, but that would mean giving up the greatest treasure in the universe. |
Characters like GekiRed, who fights with mystic martial arts or characters like MagiRed who fights with fire magic, there is no excuse for them to not be helping. Ranger costumes or not.
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As for the mecha, this is actually apparently explained in the 199 Heroes companion book. Apparently most of the mecha were destroyed by the Zangyack during the Legend War, although in the movie proper we only see a destroyed Gosei Great. Apparently the book also explains how the dead Rangers were alive for the War, but I can't find it translated anywhere. |
But at the end of the episode with Kai, that fire spirit thing appears which explains how he created that fire trap. It doesn't explain why they aren't fighting, though.
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Gokaiger 10. I didn't know they did a Yu-Gi-Oh tribute episode.
I like how there were nods to Luka's and Joe's characters here, without ever needing to specifically spell it out. This show doesn't hold hands, or give out freebies to people who haven't been faithful all the way through and I dig that. Follow us, and you'll be rewarded, but don't expect to be rewarded if you aren't faithful. I do have a question though, why does no one recognise Joe? He was obviously pretty important in the Empire, and he has more than enough memories of them, but they don't of him? I'm starting to just believe the entire Empire is just useless. They were pretty imposing and brutal at the start, but with every episode they seem even more of a joke. They're bordering on pathetic already and we've only just hit double digits here. I actually really like the JAKQ suits, but the set up for that Bomber move was ridiculously elaborate for a team attack which was ultimately kinda pathetic. Luka's swordsmanship is beautiful though, which is ironic as I thought Joe was meant to be this teams swordsman. |
Joe's history with the Zangyack is detailed a lot more in like the next episode, but it makes sense that only the higher ups actually bother to know who he is. He was only a rookie when he defected.
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The toyline was a success. The best sales since Gaoranger or something? The show though... nahh.
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Not a huge drop-off, but still lower than Go-Busters. |
Didn't Ace sell like hotcakes? The only reason Gobus toy sales failed is the lack of a tangible collectable gimmick that EVERY SHOW MUST HAVE these days. If it had that, I think Gobus would have satisfied the criteria of success in this franchise just fine. Pleather suits and more realistic storytelling I really don't think had anything to do with anything.
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Oh it's definitely the lack of a gimmick that really hurt Go-Busters. Which is a shame because now it's like Toei just wants to sweep them under the rug and forget about them :(
Though Kyoryuger had worse ratings, it had far better toy sales. And at the end of the day the toy sales are what matter to BOJ/Toei. If they can make money the ratings don't mean shit. Take Gaim for isntance, it has moderate to average ratings as far as I've seen, but they saw a nearly 400% increase in rider toys sales. |
Now are their ratings including those who record it and watch it on DVR later and watch it online?
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I very much doubt that. There isn't even a way to track such a thing. But even if there were, that makes up an incredibly small percentage of viewership when compared to domestic television viewers in Japan.
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