Which will really only be a problem if they're ever on screen together.

There's probably an Akibaranger joke about certain Senshi's suddenly gaining a couple inches height when they transform.

Such a gaslight-y response. Are we supposed to just be okay with a mediocre translation because at least we're getting a translation? Yes, we want more Rider in the west, but we want good Rider. Releasing a sub-par product isn't going to make new fans. That's like if 4kids said "You should be happy that we brought One Piece over at all!" One Piece had a terrible reputation for years because of that dub.

What if in the future of Reiwa's era, they do a Kamen Rider series in the style of Pokemon/Digimon?

Riders would have their own Pokemon-like/Digimon-like partner, where the partners unite to henshin, acquiring the creature's powers. Going through a series of evolutions.

Just a thought.

So Revice?

Gaim was a Kamen Rider series that had mon theme (Pokemon/Digimon are that genre) in the Inves Game.

It kind of reminds me of Kiva a bit as well, with the bats and the weapons.

Anyways, the last two Riders I watched were Geats and Ex-Aid. I kind of want my next one to be less of an ensemble vs show and more of a traditional Rider series. Lately Kabuto has piqued my interest, but I've also been meaning to watch Den-O for ages and won a copy of the Zero-One blu-ray. What do you all think?

Actually, the next one I watch will be Black Sun, so after that.

Den-O definitely seems a good shout for a more 'traditional' show without a lot of rider fighting.

You just described Revice in a nutshell.
Try for more original ideas than ones already in use. The original ideas you come up are more complex than this (I have seen the many threads) one.
Pokemon/Digimon was an old idea that started in 1967?s Ultraseven, really, with his Pocket Monsters Windom,Agira,& Miclas.Not being a downer, it?s good to have creative ideas *always*, and I wouldn?t have gotten in the funnybook(what my Grandma called Comics)industry without taking A LOT of constructive criticism until I got it ?right? and understood the process,but I have to tell this to folks at conventions when I?m doing portfolio/script reviews.

Someone with your amount of imagination shouldn?t be discouraged or get flustered because no one is getting your ideas, writing (to me,because of the amount of research) is the hardest part of Art there is, that?s why it gets so much attention.

Me: glares at King-Ohger