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Episode 9!!
-I really enjoy Izu in this! I can't believe I forgot her monologue in this ep, it's real good! (Also the bit near the end, how she targets Yua by asking her a question but not giving her time to answer. It really gives an air of.....disappoinment? Like a parent asking "who got into the brownies?" to a kid with chocolate smeared all over their mouth) -Horobi and Jin are a fun pair to watch fight together, real "take your child to work day" energy, except said work is enacting terroist schemes. -The bit with Aruto and Fuwa on the rooftop, it's a cute gag. Aruto worrying his jokes cause physical pain.... -Horobi's whole thing is about "liberating" Humagears and rising aganist humans. There's not really any kind of point given concerning why humans should get the boot, other than it being the Ark's will. Does this make his villianous decress feel flimsy....Yeah, just a bit. (Of course, we can make assumptions based on the past 9 episodes abt how Humagear existence/autonomy is seen and treated by humans to bulid a case for him, but I'd rather not put words in the terrorist-cultist's mouth, yknow?) -There's a small detail I'm slightly fond of. Izu reports in this episode that MJBR are not connected to Zea/in their records. This is kind of teased upon earlier, on how Jin was forced to use a computer to look up the word "son", while Izu can merely access the internet through Zea directly to look up the word "passion". I'm sure not being connected to Zea has its uses, but it probably also might be tedious in some areas as well.... |
I realize I've been silent for too long now. Especially in the first quarter of Zero-One.
So Horobi and Jin, the ForceRiders, have a neat aesthetic to their designs. Its full of hazard lines, strewn together haphazardly, and evokes the look of something dangerous, and I love that look. Even the sounds sound like a bomb waiting to go off, where even the peppy voice of the Progrise Keys gets distorted somewhat in the transformation, and the point of forcing them open to create their suits is just plain cool. This show explores things a lot of other A.I./technology shows don't usually touch on, and that's that there is no clear answer to whether their evil or not. It's not saying "technology evil" or "technology is good future" but looks at both and leaves the cast to figure that out, and that's a good thing. And good gosh did the action scenes impress. The ForceRiders in action just scream destruction, watching Horobi destroy Vulcan being one of those instances, and just the whole aesthetic with Zero-One's Finishers. Good stuff. |
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There's some fun in that, in them treating human extinction as a weirdly bloody checklist and nothing more. That's an unusual way to launch a war against a species. But it would probably help the story some if we got a clearer idea of why Ark made this decision, and I assume that'll be along in due course. Quote:
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But then, maybe I'm just getting defensive about this because I happen to like mecha stuff in tokusatsu. Granted, I'm hardly the biggest fan of these CG robot throwdowns in Rider either (although I recall liking this one better than most of the Time Mazine stuff at least?), but you know, that's no reason to go and diss Breaking Mammoth as a concept! It's clearly just too awesome for the show to do justice to! I'm genuinely fond of that design though. I like how even though its whole thing is being a mammoth (it's whole torso is just a mammoth's face, even), it's also mostly just Big Zero-One? Plenty of neon yellow, it's got Rising Hopper's antennae, it's literally wearing an oversized Zero-One Driver... It's a charming design all around, and there's something fun about it technically just being a form, specifically, rather than a machine counted separately from the rest. And while the actual fight scene with it isn't particularly impressive, it leaves a good enough impression anyway thanks to how well this two-parter builds up to that climax. I'm kind of struggling to think of what to really say about these episodes beyond that I like them a whole lot. They have a sort of mid-season-finale feel going on, with a (sometimes quite literal!) big scale, and a lot of different characters all taking steps forward in their development. The show also did take a week off after episode 9, so I think it might've genuinely been written with that intent. Which is a really polite way to do that? Waiting two weeks after a cliffhanger like Fuwa blowing up for example, that's fun, but it's also agonizing, right? Knowing you're going to have to take time off and deliberately parking the show is this really satisfying place for a bit, that's a nice gesture on Yuuya Takahashi's part. (And these episodes were by him again. Again, not that it makes a huge difference from Kakehi, but you know, for the record and all.) |
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