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I'll never see the likes of Kuuga as mature, personally. It can be as dark as Shaq, but it's almost childish in it's attempts to make a monster a threat.
I think Blade was my favorite for a monster's MO. Rampaging to reset the planet? I love it. It gave the monsters a visceral feel without being an over the top toku love letter to Liefeld. Fourze possibly has the largest threatening monsters, when you look into it. The bullied kid can become a titan who can choke a bitch? The nerdy stalker can become a mantis what can control magnetism? Making monsters the broken, the bullied, the beaten, the angry, the quick-tempered, and the confused kids of a high school. Sure, worlds won't end and they won't have body counts equaling that of a small nation, but it's darker than "Bodies hit the floor. We're edgy!" |
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The difference is the humanity.
As stupid as Wizard's of the week plots were - and they were often as boring as they were stupid - the whole 'I want to stop that kid being sad' is a human story, built on emotion, not on mindless suffering. We had too much focus on the Gate's to be fair, but it was nice to understand them, so the people Haruto were saving didn't just function as window dressing. Sure Kuuga was full of carnage and gore, but it also had no soul or heart either, as it never focused on the people inside the carnage and what they were feeling, they had no faces, no names and we had no reason to care about the individual, or the mass either. |
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Modern rider shows at least treat people as people, not just meat stacks to be bludgeoned. |
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I liked the gore and carnage of kuuga, mindless/arrogant/whatever word you want to describe it as. Though don't be ignorant of Kuuga's story and mythos and act as if it's just visually dark, It was a nice contrast to super sentai. Now I'm not saying Kamen Rider should always be all gore, all grimdark, all the time. Definitely not. Though there are aspects, themes and overall tone I miss from those series. The past 4 years, it's been very focused on the opposite which is good for contrast and mixing it up but I am curious if thats permanent or if we will see a return to that kind of Kamen Rider. Someone mentioned W earlier, I loved the humour and light-heartedness of that series. It walked a very hard line and i think it got the balance fairly well |
Who wants a series where it's completely dark, gritty, and serious? A Kamen Rider show should have a bit of everything. Heart, Humor, and Seriousness.
Which is why Gaim is so damned perfect. Embrace the Juicy! EMBRACE IT! |
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When a show knocks off folks every episode, it starts to lose weight fast. If all normal people do is die, why should we feel bad? It's not like they're real people, just bland non-characters, thus the effect lessens considerably. Quote:
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Tim Burton Batman. |
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Nolan Batman isn't bad, but it's an excellent alegory for this conversation-
Actually, you know what's a REALLY good comparrison here? Man of Steel. You know, that movie that took a bright, uplifting and hopeful character like Superman and put that same inane "grim and gritty" filter on him combined with ludicrously pretentious comparrisons to JESUS and calling him inspiring despite never doing anything inspiring? Just like Kamen Rider, Superman is somethign that doesn't need to be dark, incredibly serious, or devoid of humour. At least not in the way Gatack describes. It's taking something that's heart lies in being bright and encouraging and making it dark and grim and coming off as entirely pretentious and boring as a result. Superman doesn't work as "dark." Neither does Kamen Rider. As Locke has put over and over, it really undercuts your hero's cred when so many lives are lost on his watch and he doesn't give a shit except for, like, maybe one or two. And that's inevitable when you demand constant deaths. The hero can't react realistically to every single one, so he can't react to any without seeming inconsistent. It's a writer's trap too many fall into. Heroes save lives, but if everyone dies anyway, are they really heroes at all? I think this is why Ryuki was also good to me. It had death, but it was periodic. Yeah it seemed weird at times when someone died in front of him and he wasn't as shocked as later times, but because they bodycount was relatively low (probably helped with the Riders themselves being the main source of deaths, which of course fit right in with Ryuki's attempt to stop the fighting) he didn't seem ineffectual. In fact, I can easily say he saved more innocents then he let die, despite every show around him being the opposite. |
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Yes, actual characters built up overtime dying has more impact in story telling than ones you dont know. But in this case, victim of the week being sad without real danger to their life versus someone shown being killed in coldblood, the latter is more impactful in my opinion. If you disagree, fair enough dude, leave it there. Look dude, if you don't like Kamen Rider being darker than that's cool, good for you man but I started this thread to discuss the likelihood of that returning. You would think that'd attract like minded people, not the opposite. I think it's best you find another topic more tuned to your liking Oh and BtAS is one of the darkest and most serious cartoons of its time so dont try that |
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And let's try being more civil, Gatack. There's no reason to belittle someone else just because they don't agree with you. |
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I should not be explaining the difference between TV shows and real people dying. Quote:
Funny how that works. You perfectly proved my point. BTAS managed to be dark and serious WITHOUT gratuitous death and gore. Gaim is actually frightening similar to BTAS in tone. Light-hearted, sometimes goofy, but knows when to be serious. The only difference is Batman is visually dark. |
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Every KR series has humour in it, some more so than others |
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When I KNOW who died, and the show made me give a damn about them, then damn right it impacts me way more. This is exactly true of the 'sad kid', 'dead kid' scenario. If I can name the sad kid, tell you his favourite food and what motivates him in life then we've become friends and I care if you're sad. If the dead kid is simply the number 'fifteen' in the body count list (number fifteen out of TEN GAJILLION) and simply addressed to as 'dead kid' I can only care on the base shocks of dead children. |
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Because I'm actually finding it quite relieving to deconstruct themes and tones and see how they work. Quote:
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I am closing this thread. The arguement is getting out of hand and has long since moved beyond reasoned debate, which should happen on this forum. Everyone please remember that this is a Haven. We welcome debate, we want you to have differing opinions, and also share what you love. But when it turns into patronizing and worse.. Then we have no choice but to act.
Think before you Post. Please. |
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