The budget went to the armor, remember? :p

It's an action show about knights fighting demons. Looking "futuristic" really isn't a priority here.

In Garo season 1 it took place in a big city. Normally you would think it is something similiar to the modern world like ours.
But then in Garo SP the introduction of villiages (and hinting there are more of those out there) and the makai priests community (which is much larger than you think). It seems it is not that modern after all.
In Garo season 2 the introduction of the council and the makai knight (and priests) population makes me think that these modern citics are pretty much "satellite shelters". The council are protecting these places and the normal people in these zones.

In TOWSITD it goes beyond that by saying a private incorporated foundation can actually buy out a single shelter, and has its own guardian forces.

The world doesn't change much when everything is stale. You might see some improvement in lifestyle, but overall nothing has changed.

Also the mystery of the map of Volcity and the map of the Promised Ground.
Amemiya said it was done on purpose, but no more than that. I guess it plays a big part on how that world actually works.

Where are these supplements? I own the 7 DVD and Beast of White Light DVDs and I don't recall ever seeing those.

Yes, more Garo is always a good thing and I like the idea of the new series. I'm also really glad to hear we'll see more of the Yami side of Garo, even if it's just a movie.

Always down for more Garo, whether it be spin-off, sequel or otherwise. Bring it on I say :D

Garo has text stories and books. The title of that story is on page one, right above your post even.

http://www.net-garage.jp/data/net-ga...229_7c8471.jpg

The 8 chapters included materials of the foundations of the Garo world.
http://www.ms-plus.com/images_item/20000/20949_1.jpg


I've mentioned before.
The visual material doesn't covered all the materials in the Garo world, because Kaneda has been pretty good at picking out bones that has nothing to do with his visual works. As for Amemiya he has lots of ideas, but too lazy to put that up on the official site. The only way to get the big picture is only by reading all the printed materials (which are always written by either another person, or by one of the script writers, but edited by Amemiya himself), follow their tweets, and go to Amemiya's blog to check out his Q&A from time to time.
The BBS at official website sometimes have interesting information that comes from Makai Night and Makai Bar (fans meeting at Loft Plus One, and talk portion aired only on Family channel) that fans picked up eariler.

It is always a pain in the a**, but if you want to know more about Garo there is always homework to do.

What a great time to be alive, more GARO stuffs and I made a thing...a thing.

So much going on in that universe.

Zero is not that silver anymore

http://s.cinematoday.jp/res/GA/2013/...19-560x600.JPG

New makai priestess "Yuna" uses a soul metal sword (normally they can't in that world) instead of the brush.

http://i995.photobucket.com/albums/a...ps62146939.jpg



I wonder how long it took him to learn to play with the bow.

http://s.cinematoday.jp/res/GA/2013/...91-560x600.JPG

Oh, as far as I am concerned, if it wasn't done on screen, it is nothing more than fanfiction. It does not matter if it is Garo or Star Wars, if it is not actually shown to us, it isn't real.

Does that mean this guy is not named Raiga? Nope, as it seems like it is. HOwever, to assume that he has to be named that because of some fanfiction is a joke.