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Different authors - different morality. Hana/Aguilera is in many ways still a child, incapable of making decisions. She is not as vicious and ossified in her evil as Asakura. And just because she said she wants to die doesn't mean it's her real wish. Rather, banal stubbornness due to their own pride, which Olteka and Giff had previously trampled on well. Quote:
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I don't think breaking a promise is more cruel than murder. I wouldn't trust Sakura of she did kill her. And I'd say Hana is happy that Sakura broke that promise. Suicide is suicide. There is no glory, regardless of whether it's a fight or not. It wasn't even a real fight anyway since Aguilera wanted to lose. And again if she wants to die in battle, she'd be better off fighting Akaishi, a bad guy who would actually want to kill her. Yes, Riders have killed before. But they're usually in life or death situations. There is no benefit in killing Aguilera On a more personal note, I will never think that suicide is ever the right decision. Ever. Regardless of circumstances, honour, glory or whatever, I will always be disappointed if a character thinks that suicide is the best way to deal with a situation and nobody stops them |
This is the thing, there was no "right" choice to make in a morally complicated situation like what occurred with Hana. I felt flexible about the outcome, whether it was Aguilera dying or being saved, because the most important thing is showing that Sakura thought her actions through and picked what she truly thought was best and that she had the conviction to see it through. I'd argue that this is a major theme of the show in general, which can be seen in other character arcs like Hiromi's self-detrimental dedication to heroics and even Tamaki's dedication to assisting Aguilera. Just my take on what the show is trying to convey, it isn't about right and wrong so much as doing what you truly believe in, which is actually exactly how I see Ryuki too.
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Daiji: "Why won't you die!?"
Akaishi: "ViStamps, son! They activate in response to physical trauma. You can't hurt me, Jack." Alright, so seriously, this was better than I was expecting, though the only thing preventing me from giving it an *(Hudram voice) excellent, * is that I feel maybe they could have done a little more with Aguilera before this arc, but overall, I do like how they ended here arc. You done me proud Tamaki! I also kind of wish Vail wasn't just Red Vice, though I still think Vail is Revice's best villain. Though after this episode, I have a better grasp on Akaishi, in that since he's technically an ancient alien (yes, I said it) he doesn't quite understand human emotions and thusly isn't able to properly convey them (i.e., his half-humored laugh, his sarcastic nature, and facial expressions). I don't know, definitely agree I prefer Isaac over him in a way, but thinking this, I can take a little more seriously, instead of thinking "this guy has a neon sign saying, 'the villain' wherever he goes with a villain theme to boot." Maybe it's because I don't quite trust Weekend, but I have a feeling they might run Hana through the wringer, just because she used to be a demon or something. But it was great to see some of the old Genome forms and Revice taking a bit of a backseat, and Lovecof becoming a rebellious teenager (great to see Vice hasn't forgotten he can do that ability and that it fit perfectly with the show). Next Episode: Vail: "Vice, the pandemic's over, you can remove the mask." |
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I personally never saw Julio as being romantic towards Aguilera and I'm not a fan of shoehorning romance in anything too, it's about Aguilera picking up Julio when he was at his lowest thus Julio has boundless loyalty to her, it's like the Three Crows fiercely following Kazumi around in Build, for examples of same gender ones. What Julio wants is to repay her, like keeping her safe, not for Aguilera to get on his dick. It's not shown but he should've gotten what he wanted here if it's to keep Aguilera safe. Quote:
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I don't think we can arbitrarily decide whether Aguilera's wish was real or not. That's undermining her independence, the same as Deadmans grooming her to believe she only had one option in life. It's not like her decision was even that uninformed, as she was briefly shown another way to live. But when that time came, she was resolute about having her honorable battle to the death and that's a choice she made on her own. Showing people other paths is okay and helpful, forcing them down the one you want is not. Quote:
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Promises can be renegotiated or absolved, but only on the recipient's terms. The promise maker is still morally obliged to keep the promise as long as the recipient holds them to it. Otherwise, it'd just be an empty word with no meaning. That's why I have little tolerance or respect for people who make promises lightly. Quote:
Regarding Geiz though, I never had any beef with him and I don't recall demonizing him, just saying his promise with Sougo was made out of mutual respect for each other's determination. Geiz isn't the kind of person who trusts easily, which is a good quality in moderation, so it would've been OOC if they were suddenly best buds. That scene was Geiz giving his arch enemy the chance to prove him wrong, which was a pretty big step for his development. Quote:
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Actually I'd want to reply on this topic on the oncoming latest Revice episode discussions if I got a chance (the talk that corresponds to this), but for this one I'm doing it as probably there won't be these kind of talk anymore in the future.
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Though it's true that Olteca did display the negative/unpleasant side/stereotype about being intelligent, how it can give them isolation, like how studies show that people with significantly different IQ scores do have trouble relating, a number of bookish/intelligent kids being quiet and reserved, a greater predilection towards clinical depression... or even serial killers falling on the extreme ends of the IQ spectrum, also reinforcing 'unable to relate'. Olteca displays the most malicious take of it (plus the serial killer part of said example), he always knows how intelligent he is and he had grandiose sense of superiority by that, wants to put other worthless idiots beneath him... just like his father being offended with his son being superior. I admit you did explain yourself quite well regarding him being 'misunderstood', but sorry that I had problems/triggers with the general talk about villains' tragic and/or misunderstood, like either the "wouldn't have ended up this way" you brought up here or "just misunderstood" (others also can add up "not/never evil" for this one) talk is frequently used (in my experience), to shift the blame to everyone else but that villain, like blaming others for exactly not 'giving them love' but instead "denying" them from what they want (like fighting against their schemes), and like what I said, thinking that 'understanding' them meant agreeing with them and letting the villains win and get what they want (combined with utter lack of care.concern of their victims, or treating others/the whole world as "deserving" of that due to 'not understanding them'). I don't want to immediately have apologist view on villains (that is liked by audience), and I want to focus on giving counterarguments instead to their current actions and character, explaining what forms their actions has been done far more often, also often to the point that only the backstory and what happened to them is taken into account, ended up romanticizing them as a whole. About the flashbacks with Aguilera and Julio, sometimes KR did a bait-and-switch for characters, like the aformentioned Takeshi Asakura, who had a part of the audience being led to think that Asakura had some sympathetic traits by trying to save Akira from a fire in their house, but turns out that it's just a lie made up by Asakura and worse he's the one who started the fire, and he meant for others to lure Akira to be killed. For Olteca, he had flashbacks of him working with Aguilera and Julio, but after that, he lamented about his failure to make the world his. It means he still only cared about ruling the world, and it's required for him to work with both Aguilera and Julio to achieve his goals until they're no longer useful to him (or even temporarily re-work together due to Aguilera having mutual goals to bring forth Giff) like the time to sacrifice Aguilera for Giff, so flashbacks about his attempts to dominate the world would involve both of them. B̶o̶t̶h̶ ̶o̶f̶ ̶t̶h̶e̶m̶ ̶a̶l̶o̶n̶g̶ ̶w̶i̶t̶h̶ ̶K̶i̶t̶a̶z̶a̶k̶i̶ ̶a̶r̶e̶ ̶a̶l̶s̶o̶ ̶a̶l̶l̶ ̶v̶i̶l̶l̶a̶i̶n̶s̶ ̶w̶h̶o̶ ̶i̶s̶ ̶t̶h̶e̶ ̶m̶o̶s̶t̶ ̶a̶c̶t̶i̶v̶e̶ ̶t̶h̶r̶e̶a̶t̶ ̶f̶o̶r̶ ̶s̶o̶m̶e̶ ̶t̶i̶m̶e̶,̶ ̶b̶u̶t̶ ̶i̶n̶ ̶r̶e̶a̶l̶i̶t̶y̶ ̶t̶h̶e̶y̶'̶r̶e̶ ̶p̶a̶w̶n̶s̶ ̶t̶o̶ ̶s̶o̶m̶e̶o̶n̶e̶ ̶w̶a̶y̶ ̶b̶i̶g̶g̶e̶r̶ ̶(̶O̶d̶i̶n̶,̶ ̶A̶r̶c̶h̶ ̶O̶r̶p̶h̶n̶o̶c̶h̶,̶ ̶a̶n̶d̶ ̶G̶i̶f̶f̶)̶.̶ Quote:
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