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And yeah, like my example from before of Kouta victimizing Yoko, there are definitely times when a hero does bad things. I can probably name many of them from Revice! However, when this isn't being used to challenge the hero's morality, then this is a failure of the writer, story and character for ignoring the bad deed in favor of making the villains even worse. Furthermore, I specified severe bad deeds, as this can often be another distinguishing factor between a villain/antivillain who kills and an antihero who maims. But for a hero in this position, the distinction should be their regret and willingness to repent, such as Sougo seeing his future self as the evil demon king and choosing not to become him, but the greatest kindest demon king instead. Probably the upcoming arc for Kazama Jin in Tekken 8, following his tenure as chaotic antivillain. |
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And of course, someone can have occassional moments when they goes against their innate nature, an aberration (though this is easier to view in fictional stories), but it wouldn't count on each people's redeeming or corrupting factors. Someone who is forced to kill at certain circumstances is different to those who regularly peform pay evil unto evil in fighting evil (actual anti-hero). And that, said anti-villain/villain who actively target innocent, isn't being redeemed or performing good in a moment where they target a "deserving" one, like another bad guy, that it'd bring benefit if they eliminate said guy. And, though there can be failure of the story not addressing those wrongdoings, it'd be a black and white view, to immediately treat even the slightest failure as a mark of terrible person at the earliest opportunity, regardless of personal disappointment, and ignoring all their huge amount of good deeds done, and that, even if not addressed, there'd be an inevitable return to the right path, if they aren't underdoing heel turn. Like, if one can have a mistake in answering test, that doesn't mean that they can't do the test atall, it can be 9/10 rather than 10/10, not that a mistake equals 0/10. This view isn't even only about morality, but can be applied on performance, like if they have one or few failures in an athlete season performance, and is otherwise outstanding, they can be mocked as "error-prone" and it's just unfair judgment. I think this'd be the place for those who are largely very kind, but has a few unaddressed wrongdoings. For disappointment, I'd also count if someone is a jerk, rude, cruel, and mean to others and mistreat them or being insensitive. |
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And I, as I also already wrote, believe that the prefix "anti" is a sign of increased attention to the character. |
Since we have moved away from the discussion of Gotchard and riders in general in this topic, I’ll ask you something else. Now in my part of the world the series “The Boy’s Word. Blood on the Asphalt” is very popular (perhaps too popular?). It tells the story of teenage gangs in Kazan in 1989. And there is the character Denis (perhaps he can be considered one of the antagonists, although the structure of the series is such that the viewer chooses his favorites. In fact, all the characters are very dark), the head of the local branch of the Komsomol, decides to eliminate the threat of gangs. With his Komsomol members, he protects people from robberies and beatings, strengthens the ranks, recruiting those expelled from gangs, and pits criminals against each other. In fact, his motives, his actions, and even their results are good. Even the pitting of gangs against each other occurs without deception and simply accelerates the inevitable. But Denis and his team are shown as disgustingly as possible in character, behavior, and appearance.
Here's an example. The girlfriend of one of the main characters, Marat, was offend by guys from another gang, a showdown began, but the conflict was hushed up. After this, Marat was supposed to break up with his girlfriend, but he refused. He was kicked out of the gang and severely beaten. He lay there and actually died because no one helped him. But Denis helped. Afterwards, it was the Komsomol members who found the girl’s offender, allowed Marat to beat him, but did not allow him to kill him, instead handing him over to the police. Well, after everything that happened, Marat joined them. And everything would be fine, but this is interspersed with Komsomol members drinking, orgies, detailed scenes in the toilet and lies about and without. Moreover, everything is shown not cool or brutal, like those of the same bandits, but rather as disgusting as possible. So the whole story looks not like Marat’s salvation from a criminal path, but like a fall even lower. It's clear why this is done. First of all, there are no unsullied heroes in these shows. Secondly: the author needs to promote a certain narrative. In general, I wanted to find out if there is a name for such “correct, but vile,” characters, and where they are located in this heroic-villainous spectrum. Well, I’ll drop the theme song of the series because it’s cool: https://www.youtube.com/watch?v=CbjJyTms0x0 |
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Again don't get the full context about said disgusting character/behavior, or how the gang pitting is done, but someone's goodness don't take away their severe vileness if it exists, like if they're an accomplished public servant, but is abusive over their family, they'd still be abusive - it'd be how they have terrible traits outside of their successful benefit on their actions. Dunno about how extreme here, but if the outcome of an extreme measure is good, is it REALLY the only solution to achieve that? It's often what well-intentioned extremist villains claim to justify their methods as "the only way", is everyone else just supposed to shut up and fall in line, even if the solution is morally unacceptable? Just because there's a time crunch, they're just supposed to resign themselves to having to doom some to save others, without considering and trying to find another way and strive for best case scenarios regardless of how "naive" it sounds? It can be about their personal arrogance, whenever they admit or not, it's arrogant to implement a solution where you have to decide who gets sacrificed for who and that no one would beg to differ, they would simply accept the solution as "the only way", that everyone else would be alright making those sacrifices (particularly on massive scale). Why do they even think they're the ones who know best anyway? |
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The Jesus complex may have been overdone, but the show clearly shows that Kenzaki is burdened by false guilt over the death of his parents. So he strives, if not for sacrifice, then for feat. But as for me, even if an unhealthy tree bears healthy fruit, this is still not a reason to use its seeds. |
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Haruto did try and see the good side of Sora, like Rinko also did for Phoenix, but that was before the serial killer reveal proving that Haruto was right to lump Phantoms together as generally evil and making sure to protect Chiaki from becoming another victim. Every Phantom in the material world has canonically killed at least once when they killed their host in despair, while Sora's persisting personality was due to him already being evil before Gremlin and thus was never truly human, as Haruto called out. Quote:
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Doesn't seem like Undeads can be unsealed after the winner of the Battle Royale is determined, as they tried to unseal Shima so the result would be undone, but it didn't work. So all Undeads would probably have had to stay sealed until the Sealing Stone decides to restart it in the distant future. Kenzaki's choice is tragic, but it's also quite genius, when you consider that it keeps the Battle Royale in a permanent stalemate. He couldn't change fate, so he just paused it indefinitely. The Sealing Stone can't do a damn thing about it. You estimate that 90% of Primary Riders would choose sealing, but at least in the sample of the Reiwa Era, I think only Touma might consider that, due to his "I'll decide how this story ends!" catchphrase and refusal to sacrifice either himself or Kento. Even then, he wouldn't just leave it at sealing, he'd keep going until everybody got a happy ending. However, these are different heroes with different powers. Kenzaki can't actually change fate, but Touma does it constantly. I think Kenzaki made the choice that was appropriate for him. Quote:
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