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As cool as Blade will always be, those four pages about the Ultra N Project are really fascinating to me, mostly because I've always found the Ultra N Project itself really fascinating.
To give a simple explanation, especially since Die obviously won't have any context, it was a huge multi-media effort to revitalize and redefine the Ultraman franchise back in 2004, which ultimately failed to achieve the kind of success or lasting impact I think Tsuburaya was hoping for. Ultraman ended up looking backwards shortly thereafter, finding more success appealing to nostalgia with shows like Ultraman Max and Ultraman Mebius, and that's arguably still the direction of the franchise to this day, placing a huge emphasis on continuity and reliable, familiar faces. It's precisely because of how it turned out that it's so interesting to see that early promotional material for the Ultra N Project, back when it was both shrouded in mystery and highly confident in its ambitions. (Also, I'll say in advance I largely skimmed the actual text since I'm not good with kanji, so keep in mind very little of this will be me reading out the words or anything like that. I mostly just felt like rambling about this topic.) The way these images put it, apparently – and this is something I never knew before – the "N" in the title represented three key concepts of the project. NOA NOSTALGIA, NEXT EVOLUTION, and NEXUS TRINITY. The first word of each is also a reference to the names of the three central Ultramen, who I never noticed were all connected by that letter before, because I'm just dumb that way. This article points out that when it was written, only the first one of those had been elaborated on by Tsuburaya. Noa, as I understand it, was basically the mascot for the project. He was the first thing they revealed, and while he didn't star in a TV show or anything huge like that, his radically fresh and unique design was a visual declaration of the project's intent. The "nostalgia" is meant in the sense of returning to the franchise's spiritual origins, rather than the literal ones. Getting back to that raw, basic concept of a mysterious messenger of light. Ultraman The Next was the star of a feature film that would ultimately go simply by the title ULTRAMAN, while Nexus was the titular character in his own TV series. Nexus especially was essentially the true centerpiece of the project, a big long-form television show connecting the three characters together (maybe that's the "trinity"?), but it failed to find any real success, and whatever momentum Tsuburaya was hoping to create was stopped dead in its tracks, necessitating the aforementioned change in approach. Despite the financial reality, though, we were left with some pretty cool suit designs, a movie I've heard mixed things about (not having seen it), and a memorable series that ended up being one of a kind for the franchise. In terms of simply doing something experimental, it was definitely a success, and I'll always have a weird fondness for this similarly weird little window of Ultra history. |
Man, the more I hear about Nexus the more I wanna watch it. Still waiting for it to get dropped on TokuSHOUTsu though.
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EDIT: Er, as you've been informed already. I didn't watch Nexus with Crunchyroll's subs, but I believe they were on the okay side? Not a trainwreck like Ginga, but probably still missing certain nuances that would especially bite in a show like Nexus that's often rather precise in its writing. |
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SFX Fantasy Rayforce |
As for me Ultraman Nexus holds a special place in my heart really. I will admit there is REALLY big nostalgia bias here and I'm not afraid to admit that. Despite this Nexus is still something I truly think is worth watching. The atmosphere, characters, themes, and the bond of Ultraman are all done in a way that both different but at the same time feels like natural progession of the entire franchise. Plus this show and the Showa Ultraman and the TDG Trio really help not only define my taste in tokusatsu but media in general so I'll always be grateful for that.
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Thank you for bringing that up! It definitely is important to note that Tsuburaya's history at the time gets *complicated*, to say the least. I'm not even remotely aware of a lot of the finer details, but it's not that surprising to hear that they weren't trying to put all their eggs in one basket. |
Deka Red and his gunkata acrobatics show in episode 1. Still one of the coolest fight scenes ever in toku history looking back now. By the way Die, if you liked Agito I suggest at the least give Dekaranger episodes 1 and 2 a watch while you take a break from rider reviews. A certain Agito alumni appears. And like I said, episode 1 is awesome.
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I also want to second everyone's warm feelings about the N Project. The music in Nexus and The Next was enough alone to make me want to write home about how good it was. |
Honestly, I’ve begun to sympathise with Die not knowing what most of this stuff in these magazines are. I’ve been listening to an album of Tokusatsu songs released in this era and I don’t know what this song is.
https://open.spotify.com/track/22KQD...R_aYi4vH4E85AA |
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Sidenote: the theme is also sung by, and the series starred, Yoshii Rei who appeared as Orihime in the Bleach musicals. |
More from Newtype - The Live 2004/05:
https://challengerscomics.com/images...5/IMG_3502.JPG https://challengerscomics.com/images...5/IMG_3503.JPG https://challengerscomics.com/images...5/IMG_3504.JPG https://challengerscomics.com/images...5/IMG_3505.JPG https://challengerscomics.com/images...5/IMG_3506.JPG https://challengerscomics.com/images...5/IMG_3507.JPG https://challengerscomics.com/images...5/IMG_3508.JPG https://challengerscomics.com/images...5/IMG_3509.JPG https://challengerscomics.com/images...5/IMG_3510.JPG https://challengerscomics.com/images...5/IMG_3511.JPG https://challengerscomics.com/images...5/IMG_3512.JPG https://challengerscomics.com/images...5/IMG_3513.JPG https://challengerscomics.com/images...5/IMG_3514.JPG https://challengerscomics.com/images...5/IMG_3515.JPG https://challengerscomics.com/images...5/IMG_3516.JPG |
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Also, that's an interview about Timeranger that Yasuko Kobayashi participated in! Holy crap! I'm going to have to read that at some point! Thank you so much for making this thread, Die! I am very excited right now, if you can't tell! |
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not me because I only know like one toku thing from 2004 and I don't know how excited I'm going to be for the inevitable strongestest rider pictorial |
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And, yes, plenty of Mutsuki in the next one. (I peeked!) |
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Gosh, that Devilman film though. I was so excited to get that, having loved the OVAs and the old cartoon, and then I watched it, and... I hated it. I absolutely hated it, hahaha. Still, it's nice to see so much Cutie Honey. Sato Erika was a big deal when she was cast in this role, and I think, despite how big budget it was, this is the one work in Anno's filmography that people seem to forget now, which is a real shame. |
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I can't speak for how it was received in Japan, or other places in Europe that did obviously have that connexion, but I feel that here, and in America, people expected it to do well but they didn't take into consideration that audiences just didn't know what it was. |
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I know there was an English dub of Ultraman and maybe Ultraseven in America, but I think the first we ever saw of the franchise was the cartoon, The Ultraman, and I remember being fairly indifferent to that as I was well into Battle of the Planets instead. *snaps fingers at you* You there, boy, bring me my walking stick. |
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As for the Casshern movie, it sadly was a failure despite having live action Jotaro, Kamen Rider G3, Kamen Rider Sango, and the suit actor for Riderman in the Kamen Rider ZX special. For starters, getting rid of the helmet? That's like Wolverine with adamantium knuckledusters instead of adamantium claws. Apparently the director is the ex-husband to Hikaru Utada and his previous credits were mostly music videos with Casshern being his directorial debut. The visuals were great, really good stuff here and there, but the story in general felt boring and I lost interest after the Casshern vs Barashin fight. In general I would say it ended up being a dumpster fire of a meal despite all the good ingredients it had lined up for it figuratively speaking. |
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But yay for Liveman, which is, in my opinion, the best sentai show ever, regardless of how much I might like later iterations. |
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And yes, Yay for Liveman; great tagline, great story and characters, first to have two robots combine into a bigger robot, first to have a female blue ranger, great story, Takeru/Kamen Rider Ghost's dad in his early 20s as a skater dude, Joji Nakata as a charismatic villain, and who can forget that shih tzu on a skateboard. Look at it, just cruising like it is nothing. :lolol https://i.imgur.com/O1QgqaL.png |
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An extra-sized final post from Newtype - The Live 2004/05:
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I just love the fact that in a toku magazine 24 Season 2 is being advertised. :lolol
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It's nice to see Kobayashi's Dark Mercury in Sailor Moon covered. This was a twist I don't think any of us who liked the original saw coming, and it's one of the most decidedly Toei-feeling moments in the show. It feels a lot like they were eager to demonstrate how different the show was from the comics/cartoon, but I'm not sure if that was really necessary, as, to be honest, a lot of us would have just been happy with whatever we got, lol. |
Is it bad that I recognised a feature for Spy Kids 3 in there?
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And who can forget SIC Kamen Rider Kuuga. Seems like the one in the magazine in particular is the later re-release that had parts for Dragon, Pegasus, and Titan. |
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