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Like, I think 30 did a really good job of still making Kiriya's introduction an Asumu story, you know? It's all about how Kiriya's presence affects Asumu, how it makes him feel like he's not cool enough, or it makes him wonder where his expertise lies. Kiriya sucks, but he's awesome at being a character who sucks. Quote:
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I greatly prefer it, though. Having a guy in a suit for the Oni to fight, yes. I missed the tactile threat of monsters in this show, and the best Hibiki fights have been the ones where it's human-scaled. Very excited to see some weird new monster dog that turns into a flaming wheel and just randomly shows up to murder people. Quote:
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Had this been the way things were from the start... well, a lot of folks didn't seem to love Faiz, so I'm not sure the appraisal would've been that different. But I think there'd be less of a feeling that the characters Aren't Right, which can only help. |
Imagine watching this and the next several episodes on TV as they aired, unaware of the shift in production crew beforehand.
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So it has begun. *dramatic music playing in the background*
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https://www.youtube.com/watch?v=JPK2Pv5IN5g Very simple, very effective, and despite everything said about the movie; very Hibiki. |
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Let me say this to start: I'm in total agreement with Switchblade on how Kiriya fits into the show. His existence is the very symbol of Hibiki's retool to me, because no single element in this portion of the series exemplifies the clash in vision better. He was purpose-built to appeal to both Inoue's love of interpersonal conflict and Shirakura's aversion to stories told from a single perspective. His introduction is a jarring shift from the mutually supportive atmosphere Hibiki built itself around, and arguably a very cheap, unimaginative way to "spice up" the world of the show. That being said, I've always kinda liked the guy? Part of it is the actor, maybe, but, much like Die, I'm often a sucker for some Inoue style drama, and while I kinda vilified the staff for his creation up there, I also think the fact that the first thing they did with the show was try to make Asumu's story more compelling does constitute an act of good faith, and at least a basic understanding that some elements of the show need to stay unique. Obviously the definition of "compelling" is going to be hugely subjective, but I remember finding Kiriya and Asumu's scenes together consistently pretty interesting for one reason or another. And the key word here is "remember", since, as a reminder, I'm not actively rewatching the rest of the show. Which should be fine, because, uh, and I kinda hate to admit this, but I remember a lot more specifics about the retool era of the show? Not that much more, but there are some things in this stretch that are pretty hard to forget. Anyway, I'm happy to see you having a good time with this brave new world of Inoue-y good/badness, Die! Hopefully you'll feel things keep on a solid enough track going forward. Quote:
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the people who like kiriya also probably like akira date
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Quick FYI, the post for 31 is, uh... it's going to be a weird one. Sorry in advance, but there was absolutely no way around it. Not necessarily a fun read, but sometimes these shows make me talk about things.
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I totally get how Kiriya can seem like Drama For Drama's Sake, but I really don't think he's that incongruent to the world of the show? It's not like some space alien becomes his new roommate or something, this is just some new kid at school who's a colossal prick. It's not the usual thing of Asumu living a relatively charmed life like the earlier era, but Kiriya's just kind of hard to be friends with, that's all. I don't know! Things will probably change, and maybe he'll get to be too much (never), but for all of the things that I think are ridiculous about him... yeah, didn't find his entry into the narrative as cheap or forced. If anything, he's following the formula of Things Get More Dangerous For The Lead Around Episode 30, and Asumu's the lead, soooooo... Quote:
https://kamenriderdie.com/images/kr/...y9eqk1kp31.jpg |
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