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Allow me to make a totally underwhelming and anti-climactic response post to all of that by simply saying, yeah, the first time I saw that explosion from Rising Mighty? "HOLY SHIT!!!" at the top of my lungs.
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I actually really like the design of Rising Mighty because it almost feels more 'complete' than regular Mighty, with the extra gold lines and the guard over his leg. It's too bad (but necessary, I suppose!) that he doesn't really fight in it, only finish things off!
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(Look, in a Fish Sandwich Rewatches thread, you can't exactly have Fish Sandwich coming in to play the contrarian. I'm happy to cosplay as that character, at least this once.) The enormous body count in this series frequently gets brought up by Kuuga detractors as being so depressingly high that it loops around to being unrelatable. Ten people dead is a tragedy, ten thousand dead is a statistic, you know? There's a point where the scale increases and your brain just doesn't have a space for it. The visual of Kuuga accidentally detonating a... I don't know, a district, it's just too much for me. It takes it from the realm of the personal, the specific, Kuuga on his own versus a monster, and turns it into special effects, makes it feel gratuitous. I get that there's supposed to be a danger to Rising Mighty, to the Grongi, and that all of this should start to feel cataclysmic. It's just, for me, that escalation started to make it less heroic. It's not a hero fighting to save humanity at the cost of his own, it's whichever monster can blow up the most stuff. Like, I get it, your mileage may vary. There's a more gritty, endangered feel to Kuuga than another show. Things being this dangerous, I guess that works for a lot people. It's just, the introduction of Rising Mighty makes Kuuga feel less like a proector and more like a natural disaster, and I'm just not as into that. |
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For the record though Die, it's all cool you think different. I just disagree, is all. |
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Though this might not be all that well known on account of MCS' subs having her say instead that she tries to avoid work because it makes her tired (you know, the exact opposite of her personality?), which is another one of those errors that reminds how glad I am to have new subs of Kuuga! :p |
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Just, even watching that episode the first time, the scale of the explosion... I didn't like it. And even after all of the work the show does following it up... I still didn't like it? It's just a narrative, aesthetic choice that I don't find a lot in. I wasn't trying to argue that it was bad, or that it doesn't fit, it just maneuvers the story, the world, into something I found more difficult to invest in. That is clearly not the case for other viewers! I get that! I'm happy to have people tell me why they disagree later in the series (and literally everyone is going to disagree with me, that vision is coming through crystal clear), but all I'm talking about is how that escalation in the story affected me. |
I totally get all the stuff about Kuuga's growing power being terrifying, but I can't blame someone for thinking him kicking someone causing a city-wide explosion is kinda silly.
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City-wide? I thought it was only a block? Was that just the subs I watched?
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EPISODE 31: "Retaliation"
Recap episode time again! Kind of! See, this episode sort of exists in halves. It's partially a recap, and partially a completely new story, with a plot beyond Kuuga fighting a monster for two hours. It's also got one foot in the last two-parter, and the other in the next one, which means it kind of frustratingly fits in with neither, and thus I once again get to talk about a clip show by itself. Like I said though, this one is a bit different. It's still directed by Nobuhiro Suzumura, but Arakawa is actually on board to write this time, presumably just for the new bits. Going on this assumption would mean that Kiyoshi Takenaka, the other credited writer, handled the two segments of narration over the old footage. I'd love to give some trivia about who Takenaka is, and what he went on to do after Kuuga, but I honestly have no clue who this guy is, or what else he's worked on. So your guess is as good as mine. Fortunately, there's actually stuff worth talking about in the episode this time. It opens up with Yuusuke and Minori chatting at Pole Pole, and seeing some news about the big explosion last episode. Fortunately, as is confirmed here, nobody did end up getting hurt, but that kind of collateral damage is sill a problem in its own right, and I don't think anyone is very happy about how things turned out. Including Yuusuke, who once again gets a nice little pensive moment watching the television. https://i.imgur.com/dZNXlwnl.png Beyond this, there are only a few real highlights of Yuusuke's scenes. One is him explaining to Sakurako how the Rising forms were created by comparing it to the way he got his base forms essentially by wanting them hard enough, which is yet one more fact to add on top of the ever growing pile of explanations for how Kuuga's big power-up happened, which might be considered excessive at this point, but I mean, I've also seen shows where people wish things like this were given more explanation, so it depends what you're after, I guess. The other is just him riding off to deal with the latest Unidentified Lifeform at the end as Kuuga, driving down the road towards the camera to narration like the ending of an episode of an old Showa series, which is cute. Speaking of, the Grongi get their obilgatory new scene here too, which is pretty okay. If Watanabe is Ishida Jr. when it comes to directing their scenes, then I suppose Suzumura can be Watanabe Jr. The washed out colors are definitely on point here. As for what the scene is about, it's just Badaa getting ready to start his game, which is mostly setup for the next episode, but I will give this one some credit for having one scene of Badaa terrorizing a person with his bike. Keeps things a little more exciting, and the more screentime that bike gets, the better. Also, I guess this isn't true of Badaa's previous appearances, since he only starts being credited here, but the guy doing his bike stunts is actually Takumi Narita's younger brother Ryou, who's a trial rider in his own right. Just a fun extra thing to keep in mind when Badaa and Kuuga start going at it next time. https://i.imgur.com/I4DyFdSl.png The other chunk of new material is a brief scene with Ichijou and Sakurai. Uh, I haven't really mentioned Sakurai yet, have I? You might know him better as "the not Sugita one". Anyway, their scene serves to establish that the police have decided to distance themselves from Unidentified Lifeform #4... right after they were finally starting to admit they consider #4 an ally. A little cowardly, maybe, but to be fair, it's hard to trust someone you've never met. Even Sakurai asks Ichijou to be more upfront with what he knows about Kuuga. ...And I think that's about all I can manage to squeeze out of this episode! Obviously not a high point for the series, or anything. Actually, I think I respect this one a lot less than the first recap episode for being so uncommitted. Unlike that episode, which totally owned its format, this one wants to pretend to have relevance to the progressing story. Don't be fooled. There are no valuable insights into the characters or plot you're missing here. It's still ultimately just a straightforward summary of everything that's happened since the last clip show. And it's not bad at that, to be fair, but there's nothing to really recommend about it either. THUMBS UP COUNTING CORNER A couple more are featured in old footage, but as I said with episode 17, only new ones count. https://i.imgur.com/wlINaMrm.png Total thumbs up count: 55+1 = 56 |
I... completely forgot this episode happened.
Like, legitimately, the only clip show I remember happening in Kuuga is the first one. Are-- are there more? Did I completely forget more Kuuga clip shows happened than the one that I defended purely on the basis of "kids would need to catch up"? |
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(yeah Ichijo is my favorite so what?) |
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There's a lot more to him of course, but I think he nails that simple aspect extremely well |
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Off topic but a bit relevant because it is Kuuga-related, but I just remembered officer Nozomi Sasayama was played by Eri Tanaka aka Chisato/Mega Yellow from Megaranger. Sorry, just had to get that off my chest. :lolol
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EPISODE 32: "Obstacle"
Something interesting to note about these episodes is that they're directed by Osamu Kaneda. Kaneda is a pretty prominent figure throughout Kamen Rider's history, and there's probably a lot that could be said about him, but what's important here is that he was the action director for all but a few early episodes of Kuuga. Which is why there's definitely a logic to giving him this two-parter, which is not only way more about action than normal, but is about a very specific kind of action -- bike action. https://i.imgur.com/SXFLtGRl.png It actually takes over five minutes of the runtime before we even see Yuusuke this episode. The beginning carries right over from the last episode, and since that one wanted to end with Kuuga riding off on the way to his next adventure, it means this one just starts with him already transformed, and doesn't really give it a second thought. It's sort of retro how much screentime is given to Kuuga in costume here. Yuusuke is generally only transformed when he's in the middle of a fight, but here, he gets a fair bit of dialogue in-costume, chatting it up with Ichijou during a break in the action. It's not long before it's right back to that, though, and the Try Chaser is definitely put to the test here, and it ultimately proves incapable of standing up to Badaa, who has to be chased off for the moment by Ichijou. The poor thing is so worn down at this point that Yuusuke can't even flip the colors off the "Kuuga" setting, which might sound like a bad thing if I knew how that worked in the first place. Still, it's evident Yuusuke is in need of a new ride. That's why the police finishing up development on the brand new Beat Chaser 2000 would be great news, if Unidentified Lifeform #4 being involved with a massive explosion a while back wasn't putting pressure on them not to give it to him. The central dramatic thrust for this episode is, of course, Ichijou trying to sort this mess out. His immediate plan is to try telling chief Matsukura that the explosion wasn't #4's fault, which... well, one, it's arguable if he's even right there. Two, it doesn't matter anyway, because as Matsukura points out, the police are just trying to avoid getting caught up in the matter at all. Whether Matsukura actually agrees with that line of thinking or not is another question, however. In the meantime, Ichijou works together with... basically everyone, to get a plan together to stop Badaa with what they've got. It'll take at least that much effort. He's going around on a motorcycle killing anyone else on bikes faster than they can keep up with, so the plan here is both big in scale, and also simple in concept. Essentially, they're going to put one of their guys on one of the also newly completed mass-produced Try Chasers, using him as bait to lead Badaa through a series of blockades, with the end goal being to lure to him a secluded enough spot that #4 can blow him to bits without worrying about damaging anything. Simple in concept, yes, but an operation that huge needs quite a lot of manpower behind it. This includes #4 himself, of course, because the cops actually out in the field dealing with monsters every day don't really have the luxury of pretending they don't need him. Ichijou is a little busy running the show and trying to talk the higher-ups into giving the Beat Chaser to Kuuga, however, so this episode pulls the interesting twist of having Yuusuke hang out with Sugita, of all people. This is a really fun twist on the formula. Sugita has such a massively different energy from Ichijou, being a lot older and gruffer, but Yuusuke is still just his usual self, so the contrast is great. Sugita, presumably above caring, after all the impossible things he sees on a regular basis, doesn't even take a second to question that Yuusuke is Kuuga. It sounds obvious, but even with him on the bike when they meet, I wouldn't have been surprised to see a moment where Sugita is obligated to say some kind of generic "so are you really #4?" line, but this is way more in-character. Eventually, Kuuga gets another chance at taking Badaa down, leading to an insane last couple of minutes of these guys fighting on their bikes. They quickly move from the street onto a rocky shore, and from there, it is just on, man. https://i.imgur.com/gNeg6ail.png These guys are riding next to each other. They're riding between each other. Kuuga narrowly dodges a tire to the face when Badaa uses his own front-wheel punch move on him. They're going over things, under things. I mean, if stairs don't mean s*** to Kuuga on a bike, than some random rocks mean even less. There are a couple moments here where Kuuga, and by Kuuga I mean Takumi Narita, seems to lift his bike clean into the air through sheer force of will, just to turn 180 degrees a little quicker. You can also tell the episode was directed by the same guy who handles the action because one of those shots is shown in loving slow motion. This sequence is a spectacle. If it weren't so hard to find frames that aren't blurry from all the intense motion going on, I probably would've just covered this one in screencaps. It's like every second some new exciting thing is happening. And then to top it all off, the episode ends with Badaa stealing the Try Chaser?! Are you kidding me?! This episode rules! THUMBS UP COUNTING CORNER Yuusuke gives this episode the thumbs up. https://i.imgur.com/I1vJtz5m.png Total thumbs up count: 56+1 = 57 EPISODE 33: "Cooperation" Kuuga has a habit of revealing cliffhangers to be less perilous than they seem at first, but the excuse this episode comes up with is far more clever than usual, because the thing that saves Kuuga is actually more bad news. Badaa's fun with his new ride is almost immediately cut short when the poor, overworked Try Chaser's engine finally just gives up completely, and he leaves the smoking wreck on the ground without a second thought to go back to his old bike. That climax last episode was a final tribute to one of the coolest Rider machines of all time, and, after over half a year of invaluable service to Kuuga, the Try Chaser 2000 has hit its limit. https://i.imgur.com/cBHivppl.png So, at this point, there's really no getting around it. Kuuga needs the Beat Chaser to stand up to Badaa. Which is why it's good everybody's doing their best to make that happen. Enokida is stalling the guys who have come to take the bike into their custody, which gives Ichijou time to get over there and try to talk some sense into them, something Matsukura is doing on his end too, telling the brass to take a second to really consider what the best choice is to protect the people. After all, there's a killer grasshopper on the loose, and they can't stop him just by worrying about their image. Oh, and speaking of Badaa and pretty images, there's a fantastically shot scene of the Grongi in this one. Like, Ishida level beautiful. https://i.imgur.com/yH7aN9Rl.png One other cool thing here is that after losing his bike, the first thing Yuusuke does is try to think of a plan that works around that. The idea he comes up with is to try hitching a ride on Gouram and using Pegasus Form. There's something about the scene of him just calmly working out the logic on this with Sugita in his car I really love. I guess it goes back to how much I love seeing heroes using training and preparation. Yuusuke isn't some super genius, so there's a distinct flow to him gradually thinking up the plan, and realizing the drawbacks. You can almost see the "oh" moments happening in between his sentences where he thinks of stuff like "what if he goes in a tunnel though?" Once he and Sugita arrive at the next location Badaa is headed for, there's another cool moment, where Yuusuke heads off on a mass-production Try Chaser (actually asking permission to borrow the bike this time!), and after Sugita hands him his gun to use for Pegasus Form, Sakurai realizes who Yuusuke is as he's driving away. It's a perfect place for the obligatory "was that guy...?" moment, and Sugita's nonchalant response is once again wonderfully in-character. This also means we have the rare mid-episode fight scene in Kuuga, which is yet more reason why they gave these ones to the action director. Yuusuke puts his plan into motion, and it doesn't work out, but he at least remembers to switch out of Pegasus Form before he hits his time limit. As amazing as the action is in these episodes, there's also some supremely solid character building going on to, with the scene of Yuusuke and Sugita chatting in the car after the failed attempt to use Gouram being a highlight of the entire two-parter. Like I was saying, these two build some good chemistry in a short time, and the show takes advantage of bringing Sugita face to face with the guy who saved his life all the way back in episode 4, when he was just some mysterious Unidentified Lifeform, to give him a chance to apologize for the early misunderstandings between Kuuga and the police. Spending a day alongside Yuusuke is really all it takes to realize how absurd it was to have ever considered #4 an enemy. After this, Ichijou comes bearing some good news for Yuusuke. Not only has he worked out the situation with the Beat Chaser (under the impression he's breaking the rules to do so; he won't find out until the ending that Matsukura fixed things on his end too), he actually rides the bike there to give it to Yuusuke, which is all kinds of awesome. There's yet another fun little payoff where actually witnessing Yuusuke transform into Kuuga manages to get a reaction out of Sugita, after all this time being so unfazed. https://i.imgur.com/5bjPIU3l.png So yeah, the Beat Chaser 2000. I'm not going to lie, the Try Chaser will always be my favorite of the two out of sheer sentimental value, but it's not like this bike is any less cool. It's debut can't quite top the absurd stunts of the Try Chaser's final stand, either, but it's a cool showdown in its own right, with a much greater sense of speed. So much speed, in fact, that the Beat Chaser comes equipped with its own parachute to slow it down. Kuuga uses this ability to race far ahead of Badaa to where it's safe to blow him up, and hits him with a Rising Mighty Kick, bringing an end to to their epic rider rivalry. These episodes are absolutely fantastic. In terms of the greater story, it's this start of a new chapter, with more direct and involved cooperation between the police and Kuuga to stop Grongi with as little harm to their surroundings as possible. On its own, it's a thrilling, adrenaline-fueled action adventure with a great villain, and tons of epic hero moments, culminating in Ichijou's arrival with the Beat Chaser. There's a very feel-good tone to these ones. It's also worth noting these are the last episodes of the show by a guest writer. I didn't find a good spot to mention it, but Inoue wrote 32, and is credited alongside Arakawa for 33. From here on out, though, it's all Arakawa, all the time. THUMBS UP COUNTING CORNER Kuuga shows his approval of a fancy new bike the only way he knows how. https://i.imgur.com/aLUphRGm.png Total thumbs up count: 57+1 = 58 |
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With the Rising Forms having just gotten completed and this being on the way - with toys to accompany - I would not have blinked an eye if the BeatChaser here was justified in-story as the TryChaser getting a Rising form. Heck, it doesn't even lack too much precedence given that Kuuga apparently is just able to power up bikes with his colour scheme and emblem. It would have worked perfectly fine, provided a structure for a decent episode, and allowed you to tell most any story you could.
And I am SO glad they didn't go for it! Again, I would have been happy; I wouldn't have been disappointed or anything, but there's something so great about them going above and beyond like this to not just make the stakes more interesting, but more importantly; have Ichijou and the police be so much more instrumental in Kuuga gaining the power he needs. Okay, Tsubaki gave him the electric shocks and they're helping every episode, but in comparison this is very very direct. It's like... it's like a reminder of just how important Ichijou and the police are in this, and really brings it full circle to when Godai first got the Trychaser. It feels like it follows similar beats to that episode and like it's a more progressed, powered-up version of it -- and well it should! Something I'd like to highlight is how... absent Ichijou is for this episode. You mentioned it of course especially in relation to how it gave a chance for a different dynamic to rise between Godai and Sugita, and that's absolutely wonderful -- and there's lines in there from Sugita about his daughter that really struck my heart in how they were acted out. But there's something more significant here to me about Ichijou himself. As already stated, this episode has thrown convention out the window a little -- as opposed to the usual formula, Godai starts out this episode as Kuuga fighting the good fight and riding the good ride. That's a bit of a break from him coming in as Kuuga at the end of the day to save things, and I think there's a bit of intention to that... because think about it. The common Kuuga formula goes that Ichijou spends the episode leading the fight against the Grongi with little effectiveness; slowly figuring things out; and then when at the end Kuuga comes in on his bike to save the day. It's lovely and serves the series well. This episode, however? Kuuga spends the episode leading the fight against the Grongi with little effectiveness; slowly figuring things out... and then Ichijou rides in on his bike to save Godai. You already said how cool it was, of course, but I find it just a WONDERFUL roleswap to see Ichijou riding in. It's-- man. It really gets their relationship so well. Love this show. ... pretty sure this is where Gouram Pegasus Rising Gun comes from |
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It sucks that BeatChaser is never used in any of the future Kuuga appearances IIRC. I always liked it more than the TryChaser, and these episodes are a big reason why(design-wise I think it's way cooler too).
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I don't know, I feel like you're going to have a tough time convincing me that the creator of Stomp doesn't value showmanship. |
EPISODE 34: "Tremble"
Cold opens don't come much colder than this. A high school student lies in a hospital bed, reduced to hysteria at the thought of what someone told him four days ago. He's going to die today, and he knows it, because the same thing has already happened to many of his classmates. He's surrounded by his family, who try to assure him everything will be okay, but there's nothing they, or anyone else can do, and sure enough, his life is cut short right there in that bed, to the horror of his family, as well as Ichijou, who was in the adjacent hallway, unaware as the person responsible for all of this passes by him without notice. These are going to be some pretty heavy episodes. https://i.imgur.com/fKdC5ZHl.png They aren't entirely without their moments of levity, though. This is chiefly provided by Yuusuke. There's an amusing bit right after the opening (which, along with the ED, switches to its second verse starting here) with him and Nana cleaning the Beat Chaser outside of Pole Pole, but he quickly heads over to Minori's preschool, where even his side of the plot isn't all fun and games. He was only heading over there to amuse the children with another one of his many skills, but when two little kids are having a spat, dealing with it takes priority. They had a bit of a fight over some building blocks that ended with one of them kicking over the whole project and walking off, which obviously isn't ideal behavior. Yuusuke tries to stress the importance of properly communicating your feelings, and working things out that way, instead of letting your anger get the better of you. This is always one of my favorite sides of Yuusuke to see. He's way more about explaining "why" than simply telling people "what", and the show underscores how much people's little struggles mean to Yuusuke by having him consciously ignore Ichijou calling on the Beat Chaser's radio for a second to try and make sure things at the preschool will be okay before leaving. Back on Ichijou's end, it's a much more grim situation. They aren't even positive an Unidentified Lifeform is responsible just yet, but dozens upon dozens of high school students have died the same way as the one in the opening over a period of only a few days. Obviously something they'd like to put a stop to, but finding out how this is even happening proves tricky in its own right. Tsubaki has figured out from his autopsies there are huge barbs in the students' brains that caused the deaths, that he theorizes start out as something smaller and more benign, which is why it takes four days for the students to succumb to the effects. It's also probably why they apparently can't do anything to detect where they are beforehand, and why they can't remove them before it's too late. The sheer hopelessness of the Grongi plot here is something special. It feels so much more personal than usual. An entire grade of male high school students is being killed, and by the time the episode starts, most of them are already gone. It'd get anyone trembling with fear, and that lends the story a great sense of urgency, especially when you see one of the funerals, too. Sakurako is helping out on that front by heading over to Nagano to take a look at something relating to a massacre that recently happened there. While it's not made clear in this episode exactly what that is, it obviously has to do something with the Grongi, and this is as good a chance as any to mention Ishida's usual great direction on these episodes. It's keenly felt in parts like the cold open as well, but as always, the Grongi scenes are crazy atmospheric. There's a bit of the woman with the rose tattoo walking through a forest where everything is so excessively green, it looks like the air is full of poison gas or something. The later scene with the other Grongi discussing her absence is a combination of a bunch of his other favorite tricks, with fences and grates obscuring the characters, who are also barely illuminated outside of brief flashes of light, all done in that cold blue palette. https://i.imgur.com/aMcgEZLl.png https://i.imgur.com/idtJnlol.png Ichijou and Yuusuke head off to protect Kazuya, the sole suspected target of the recent killings who hasn't had any contact with the mysterious perpetrator yet, currently held up in a house in the middle of nowhere with his parents, hoping to avoid his notice. It's obviously not that simple, though, and he gets to the family before the heroes can. It's a very tense sequence straight out of a horror movie, and yet, what's most horrifying of all is this monster's response when asked why he's doing all this. His name is Go-Jaraji-Da, his motif is a porcupine, and his goal is to make people suffer as much as possible, because it's fun. Kuuga manages to get there before he can do the family any (physical) harm, which leads to some great bike action, including a bit where he changes to Dragon Form and breaks off a random branch from a tree to use as his weapon. It's barely over a minute of action before the episode is over, but it's a cool way to close out the first part. THUMBS UP COUNTING CORNER Yuusuke is having a pretty good time right now. Let's hope it lasts. https://i.imgur.com/BdpelALm.png https://i.imgur.com/jh7tsIAm.png https://i.imgur.com/JiCTw79m.png Total thumbs up count: 58+3 = 61 EPISODE 35: "Emotion" Kuuga's fight against Jaraji takes a turn for the worse when it turns out he can teleport all around the place, which he uses in combination with his more straightforward ability to shoot needles everywhere to turn Kuuga into a pincushion, because being Yuusuke is suffering. Jaraji leaves before finishing the job though, seemingly a lot less interested in taking down Kuuga than Grongi usually are. Presumably it's no "fun" hunting something that isn't afraid of him. https://i.imgur.com/MwIbLp1l.png Sakurako has arrived in Nagano, where it turns out the victims of that massacre were actually Grongi themselves, with it being suspected the one who did the deed was Unidentified Lifeform #0. Immediately after this suggestion is put forth, the show cuts to the woman with the rose tattoo, further hinting she might just be the one responsible. After all, she was in Nagano while all this was going down. Could be something to consider, I don't know. At any rate, what Sakurako is actually there for, which she finds out after taking a trek through the rancid smelling remains of the slaughter (more wonderful atmosphere), is to take a look at a symbol on a wall, drawn in blood, that resembles the ancient symbol for "warrior" that represents Kuuga. Kazuya is now being held at a police station in the hopes of protecting him from coming to any harm. There's a lot of weight to how terrified he is by the terrible situation he's suddenly found himself in. How he can't do anything other than cry and ask "why us?" This has quite the effect on Yuusuke, who seems a little less patient than usual seeing the kind of terror Jaraji is inflicting on people. Yuusuke's always been very sensitive of other people's feelings, and because of that, I think he really understands on a deep level that the damage being caused here goes far beyond just the deaths themselves. Nobody is just another statistic to Yuusuke, and that's why it makes sense that all he can say hearing that question from Kazuya is that there isn't any reason they have to die, and that he won't let that happen to Kazuya. It's a very striking moment, because I don't think Yuusuke really makes explicit promises to protect people like this. It's usually implied enough that he doesn't feel the need to outright say it, and that's how you know this particular case is starting to mean a lot to him. And it probably means even more when Kazuya mentions how Jaraji told them he was making them suffer for his own amusement. The lone element of comic relief left in this otherwise deadly serious episode is a scene at Pole Pole with Jean and Pops bonding over their mutual favorite actresses. As much as I love Jean, there's probably an argument to be made this scene doesn't contribute anything to the story, but I'd argue it's at least placed well enough not to detract from it. Having a minute in there to cool down might have been good for the kids watching the show, too, but I can't do anything other than guess, there. It's just that this is a very intense episode all the way through, and it only becomes more so after that midpoint. The big turning point is when Yuusuke happens to catch a news broadcast announcing the deaths of the last of Jaraji's victims besides Kazuya himself, who has only become a target to begin with after one of the students' decision to commit suicide left him a person short for his "game". But even if that death doesn't count to the Grongi, it sure does to Yuusuke, and as he sees the names and faces on the screen, all he can think about is how Jaraji is doing all this for fun, and all he can feel at that thought is anger. To the point he feels the need to admit as much to Ichijou. How upset he is he couldn't stop this sooner. It's all pretty worrying behavior from a character who almost always manages to keep a lid on himself no matter how dark things get. Following this, Jaraji makes his way to the station, and effortlessly sneaks right up to Kazuya in his room, only stopped by Yuusuke, who, turning into Kuuga and tackling him out of a window, begins to absolutely maul the monster. It is disconcertingly vicious, which Kuuga doing almost nothing but punching Jaraji in the mouth, over and over again, his blood spraying onto both of them, to the point Jaraji tries to run away, evidently either having lost the ability to teleport from the beating, or simply being unable to think straight due to sheer terror. The tables have been completely turned, and Kuuga is so intent on pummeling Jaraji right then and there, for a second it seems almost like he'll forget he can't kill monsters with people around anymore. Fortunately, he's still got the presence of mind to load him onto the Beat Gouram and drive him off to somewhere more remote. He changes to Rising Titan Form, and as images of the lives lost in the past few days swirl in his head, Kuuga finishes off Jaraji in a fit of pure rage. The monster is dead, Kazuya is safe, and the deaths of the other students have been avenged. All of which begs one question -- how does Yuusuke feel? https://i.imgur.com/F9twskyl.png And of course, he feels awful. Jaraji's death hasn't brought him the slightest bit of peace, and it isn't just because of the 90 dead teenagers that won't ever come back. That's a huge part of it, but what I think is truly eating Yuusuke right in that moment, after the fight, is how upset he let that get him. At the end, he wasn't fighting just to protect someone's smile, or because it was something that needed to be done. He was fighting because he wanted to. Each of those blows to Jaraji, it was no longer simply a means to an end; Yuusuke genuinely desired to make him feel the kind of suffering he was dishing out, and that terrifies him. He doesn't want to believe he has that kind of darkness in him, but right there, in the fires of that explosion, he sees it for the first time. A vision of a Kuuga that's nothing more than a living weapon, with no purpose beyond fighting. This is one of the most definitive episodes of the series. It pushes the show's central themes farther than they've ever gone to this point, resulting in a narrative that's wildly unlike standard hero tokusatsu fare. There's a central theme here that's a really bold choice for this kind of show in having Jaraji's defeat be so empty. Because it's like, what's the big deal, right? That guy was a scumbag among scumbags; Yuusuke should be cheering at the end... shouldn't he? But what Kuuga is trying to emphasize with these ones is the fundamental futility of violence. That's how the subplot with the kids at the preschool, who ultimately learn to understand each other after Minori talks about how important it is to have the courage to speak openly to one another, factors in. Why Yuusuke is so sure they'll work it out in the end, because, after all, they're both human. At the end of the episode, those kids are smiling, but Yuusuke isn't. It's a pretty three-dimensional moral, because the show also never falls into the trap of trying to say what Kuuga does is "bad". There's no mistaking that defeating the Grongi through force is necessary. But even still, it just isn't something to be proud of, and that's what I think these ones capture so well, especially by making the choice to have all the Grongi victims be so young. How hollow that whole cycle is. People are constantly being killed by these monsters, and the best Yuusuke can do is kill them back. When you get down to it, that can barely be called winning, and it's certainly no ideal solution. So between the thoroughly explored themes, the tense plotting, the strong direction, the insanely memorable climax, and the relevance to the series as a whole, it's safe to say this two-parter is another highlight of the entirety of Kuuga. One of the best of the best. https://i.imgur.com/gHqF24cl.png THUMBS UP COUNTING CORNER Obviously Yuusuke has a little too much on his plate this time, but thankfully Minori is there to pick up the slack. https://i.imgur.com/8M2lbrim.png Total thumbs up count: 61+1 = 62 |
One of my favorite things about the Kamen Rider franchise is that, for a series that speaks exclusively in the dialect of fighting, it's intensely critical of the psychological effects of violence. Like, this is a franchise that rarely lets vengeance be rewarded, it frequently resolves problems with trying to find commonality or compromise, and any death the hero causes is given an enormous weight. I really like that. I like that a show that could probably coast on Might Makes Right is always finding ways to undercut that, to make a case for healthier solutions.
I don't know if that's something that started with Kuuga (I don't truck with Showa), but if it was, I'm super grateful for it. |
And, yeah, if it wasn't obvious before; this is what I was talking about in regards to Titan being the closest Godai comes to being... well, heck, how better do I put it than 'living weapon'?
This episode lends credence to my theory of it being Godai in a really bad mood not just by using Rising Titan, but by having it be so much more savage. Before this it's been defined as a very slow minimalist killer -- it moves like a snail, and what little movements it uses beyond that are very deliberate to kill in as little moves as possible. But in this episode, once he reaches that Grongi; Godai just thrashes about as he whales on the dude. It becomes clear that it's not like Rising Titan couldn't make much quicker slices and dish out a lot more damage than was necessary -- it feels more like Godai was choosing not to do it. It makes the scene so much scarier for me by using Titan like this. Kuuga always does a good job of making you think about where the line is drawn between necessity and indulgence, but these two episodes escalate it to a horrifying new level. Such an incredible job. |
https://www.youtube.com/watch?v=x-0KLHwjRCQ
Fun fact: This is the clip I showed a handful of friends of mine to convince them to check the show out. |
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Damn, can't praise the framing of those Grongi scenes enough. A huge part of why they're my favorite KR villain group ever (also I'm reminded again that Rose Grongi was one of my earliest TV show crushes, she's just so mesmerizing to watch). |
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https://media.discordapp.net/attachm...1026&height=40 I know that Polnareff is a name of a singer which full name is Michel Polnareff, and that Polnareff in JoJo 8is also taken up from that name (JoJo uses many outside musical reference), but if it's being done to a character named Jean (with already "Michel" as a surname), it creates an unintentionally similar one to JoJo too with full name "Jean _____ Polnareff" Pops guessed (here the gap is Michel obv, in JoJo it's Pierre). So, both traits are added up here tbh. Quote:
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