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So, the answer to my question from last time was… true.
Anyway, while I don’t remember much about the episode in particular (other than Geiz getting Quiz to explode his dad to avoid the need for a Ridewatch… only for Ora to just turn Another Quiz back on), but I did take note of the fact that Quiz’s belt has a female voice, to which I was like “Have they done that before?” (I then looked it up, and it turned out they’d half done it with Poppy’s Gashat. The two-female voiced items since then have also been half-efforts). Next time: The one that came to America and got a (mostly. The coding is reused from Climax Fighters) brand new video game. |
Quiz is such a silly concept for a Rider, I love it. The idea that, in 20 years time, the series gimmick will have moved beyond "Samurai" and "Dinosaurs" to "Oh yeah it's all about quiz questions and also the collectible items are punctuation marks" gives me an unreasonabe amount of joy.
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Much like Geiz and Sougo's entire conflict, what Hat Woz claims to be the inevitable outcome may just turn out to be a pointless conflict. |
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So yeah, I agree that the stakes here are kind of irrelevant, since a lot of it is probably being made bigger than it is in Geiz's mind. There's the paradox that Geiz is supposed to be this savior of Kamen Riders, but apparently he has to usurp the power of future Kamen Riders to accomplish that and it's not so different from how Oma Zi-O rose to sovereignty. I think Geiz's problem with that is on principle that taking Quiz's power for the sake of obtaining more power is just a morally ambiguous thing to do, even if the effects of that are merely temporary. And of course, he doesn't want to destroy Sougo if he doesn't have to. White Woz is the one who wishes for Sougo's death the most. Quote:
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Sougo asking Tsukuyomi which gets him the answer of blindly rushing at Mondo as someone too straightforward also lets him figure that out when Geiz punched him that it's their plan to solve the Mondos' problem, instead of the miscommunication of Sougo being confused why he attacked him, he's usually too straightforward to make that simple mistake. Then Sougo furthers buy them time by stalling White Woz while beating Another Quiz to draw out answers for Mondo's questions. Quote:
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(Fish Sandwich also watched Kamen Rider Zi-O - EP20)
I was pretty hard on this two-parter at the time, by my standards at least, and for pretty similar reasons to why Die has for not connecting with it that much. The story never ~quite~ makes it to the point where it feels like it's really saying some new meaningful thing about the overall show in a way that feels particularly concrete. Looking back though, I mean, I kinda don't care? I've actually rewatched this arc pretty recently on a complete whim, and divorced from the expectation of seeing it advance Zi-O as a whole, I found myself able to focus much more on what a solid pair of episodes it is on its own merits. It's not reframing and redefining our understanding of any of the principle characters, sure, but it does a great job letting the viewer just sorta soak in the current status quo now that White Woz is here. My outlook on them also improved yet more a bit back, when Die was talking about the previous two-parter, which further put things into perspective. Using the Quiz episodes to focus in on how Geiz feels about everything that's happening lately seems even more justified to me when you consider that Shinobi was ultimately a character used to comment on Sougo more than anything. So yeah, as I've said, a lot to love about these episodes. More than their place in the grander narrative of the series, though, I really do appreciate them on that Wizard wavelength of being a very strong and emotional self-contained story about nicely developed guest characters whose own arcs also bring something interesting out of the regular cast. Satoshi Morota's direction especially helps to sell the intimate and sentimental tone of the episodes, and there's so much visually in here that gives everything a huge sense of weight. When I say these episodes let you soak them in, I mean it -- the atmosphere throughout is fantastic. I've always especially loved Mondo's reaction when his father gives his answer to the most important question of all at the end, for example, and I literally just noticed watching the scene back the way the focus of the camera shifts between the two of them at like, the exact moment for it to have the maximum emotional impact. That acoustic version of Over Quartzer doesn't hurt either: https://www.youtube.com/watch?v=a1ihEG6L4ro |
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