No Blade AND no Ex-Aid?! Man, you really do like this show!

Curse Hayami’s sudden but inevitable betrayal!

Okay, I half-lied when saying I had a lot to talk about. It’s mostly getting a chuckle out of how as Gamou is about to kickstart the final stage of his evil plan by opening a black hole so he can meet aliens… Kengo just stops it.

The things I do for you people!

Technically Kengo collapses the black hole, which is kind of Kengo's only move over the last several episodes. He loves collapsing!

We're getting into Fourze's endgame now, which is still probably the part of the show that I have the most issues with. I've come to terms with Horoscopes replacing regular Zodiarts as the Monsters of the Fortnight; the show does a good job of justifying the switch from a narrative perspective. I still think the final block of episodes has a real problem with pulling stuff out of its ass that could have been established earlier in ways that felt less abrupt.

There could have been a version of the show where Tachibana told the heroes about the Core Switch and how it was the only thing that could stop the Horoscopes' leader. We could have had the search for that running as a subplot for the back half of the series, with the reveal that it was actually inside Kengo the whole time feeling more like legitimate plot twist than a deus ex machina. Same idea for the Presenters, who never fail to read like "oh fuck, we have five episodes left and we never gave the villain a motivation... um... aliens?"

Not my biggest issue with the ending - that will come next time - but it still brings the final act of the show down in my opinion.

I still wish that we would have gotten more of Ran and Haru between their debut and now. Not every two-parter, just the occasional glimpse here and there to keep them more relevant as the KRC Junior Division. Sure, Hayami would probably still get more focus and Ran would still be a relatively minor part of the plot but she's a fun character with a lot of potential and we should have gotten more of her, damnit.

The Presenters are the one thing from the last few episodes that I haven't talked about, mostly because I completely do not give a shit about them. It's some vague thing that Gamou (and, to my knowledge, only Gamou) ever really talks about, so it might as well be I Have To Go Into Space To Fight The Monstars In A Basketball Game for all the impact the concept has on the surrounding narrative or characters. Gamou wants to go into space for evolution reasons and his own infinite ego -- what it is he wants to see or do out there is incidental to the consequences at this point, and I cannot muster up any enthusiasm or curiosity about it.

What it is Gamou wants to see is an intelligence he believes will finally match his own. What he wants to do out there is meet someone, which probably has quite a bit to do with the narrative of Fourze?

I've had my own gripes with the whole Presenters concept I could get into, some of which actually line up with what you guys are saying, but like, I can definitely see a lot of what it's trying to add to the show.

Well, obviously, and it's always seen as a good thing to push kids harder, it's constantly told there that you have to work hard and always study so you'd be successful later. It'd be hard too to refute that if there's a 'limit' on how needed it is for the kids to push hard. I rather feel that school institution operated like Kekera regarding misery builds character, and the one who isn't are just deemed as having thin skin, the students would be the easy scapegoat for the school if they fail, so that the school doesn't need to re-evaluate themselves. Them being well-meaning also expects the students and society to owe them and get hero worship treatment, which means they can never be in the wrong and should never be questioned. Otherwise, yeah, it should be obvious on why there are no teachers or cops who act against AGHS, as Gamou is the head of it and it's only Zodiart factory. The revelation of Sonoda being one of the Horoscopes is meant for this, about the true nature of the entire school (so Gamou or Sonoda aren't the exceptions).

Guess it'd depend on what kind of goal someone is working for. Kengo's goal is to continue what his dad left of which would be about protecting the students in AGHS, but obviously, protecting people would require being able to connect with people, thus being able to be more fond of people would drive him better to protect people. Also, it feels that for KRC, they have similar goal, like how Gentaro would protect his friends as well as potential friends (other people), with Kengo wanting to do that as continuation of his dad, or Miu thinking it's Queen's duty to look after the school. And I thought for last episode, Kengo was being more logical than ever despite what other people said of him letting go of it, where rather than being hostile or mad at other people, though understandably, like before, he questioned Hayami about the needed info, which leads to Hayami giving various intel to the KRC.

Gai's redemption in Zero-One was also what's seen as having a sudden bout of guilt (for a far grander scale of crimes). I guess Emoto tried to tell Kengo that (he teleported only them together), but he was already dying before he can utter the word. Tachibana has seemingly betrayed 3 times in both Kousei Amano's roles here... as well as the revelation that Tachibana was Virgo before. Otherwise, after Ran got some tolerable showing before, this may re-ignite the hatedom for her for being short-sighted to take the Switch to save Haru without a plan, handing herself over to Gamou's plan, while others (an athlete in Shun and a girl in Miu being another one who got thrown by her) including Haru himself is screaming at her not to do it. I don't know about Gamou not caring about Hayami, as for below, Tendou looks out for people like Kagami while dismissing friendship.

If it happens to any other protagonists, regarding trusting the wrong person, being betrayed, and having thoughts of good deeds being genuine (e.g. risking life or sacrificing due to friendship), they'd be mocked and criticized as being naive and a proof that virtue is weakness. I guess it seems that if someone didn't get direct danger from the person who betrayed them and almost get killed and needing to be saved from (Hayami only punched Gentaro a few times in human form), people wouldn't think they're acting naive. What Gamou said regarding Hayami's death is similar to what Tendou said about how they're the sun, and Tendou also dismissed the concept of friendship, saying that it's only for those who have naive hearts (why is it a surprise that he agreed to kill Tsurugi?).

Sure, and I could've been less dismissive about it, but the Presenter scheme (which is a Gamou-only obsession) is super secondary to the Destroying Japan consequences, which is more what I was trying to get at in my post. That said, everyone's spending a lot of time talking about Presenters as a main topic thing in 46, which I find a little rushed and comical.

It has long been the position of Kamen Rider Die threads that "Tsurugi dies" is an unfortunate, if common, misreading of the text. In actuality, Tsurugi went back home to France, and lived a long life afterwards.

KAMEN RIDER FOURZE EPISODE 47 - “BEST FRIENDS PART WAYS”

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It’s always funny to me, as I rewatch these shows, what I remember and what I’ve forgotten. I might remember a minor twist in a mid-series episode of little significance, but forget a huge late-series reveal that provides context and drama to a million previous scenes.

For example, it was only a couple episodes ago that I remembered that Kengo was some sort of Space Baby MacGuffin. (Like, the minute where the Flashback Friends unearth/unmoon the Core Switch in 45, I was like Oh Yeah This Is A Kengo Thing.) That feels like a massive piece of information that it’s insane to forget – along the lines of huge reveals in Faiz andd W, or the fact that Ghost gets really good at some point – and yet not only did I manage it, I can sort of see why I forgot? In an episode that I almost completely adored, Kengo Is A Space Baby is the part I could most take or leave. It’s fine, as a late series twist that, like a dozen other things from 45-48 of this show, could have been better used by sprinkling them out where they’d be allowed to be more fully examined and utilized, rather than being told to us a scene before it’s crucial to the plot, but I don’t think it breaks the show or anything. It wraps up a couple lingering questions that viewers could possibly have (Kengo’s cosmic swooning, why he couldn’t use the Fourze Driver) with answers that don’t require much mental gymnastics to go along with. But it’s not only something that doesn’t drastically impact the series until more or less when Kengo tells about it, it also doesn’t impact Kengo as a character in the ways that we most care about; it’s information that matters to the plot, but not to the character’s journey. It’s a complication that gives Kengo a reason to have to leave, but the the weight of him leaving is all about how he’s changed as a person, which has nothing to do with him being a Space Baby. While it’s there the whole time in the show if you care to look for it, for the effect it has narratively, Kengo might as well have been blasted with a Turn Into A Space Teen ray from Sagittarius last episode. It’s not a big deal for Kengo as he changes and grows over 46 episodes of television, it’s a last-minute dilemma for the finale to resolve.

(I also… man, I loved the ridiculous exposition trying to explain Kengo being a Space Baby, because it is easily the dumbest writing this show has ever done, and I’d be mad about it if a) I cared about the Space Baby stuff, and b) the rest of this episode wasn’t so excellent. Like, Emoto leaves Utahoshi to die, and then immediately comes back to get baby Kengo because he feels so guilty, and then still leaves Utahoshi on the moon to die instead of rescuing him as well, but still regrets it for another 18 years? Or, he waited until Utahoshi died, and then rescued the baby that this flashback specifically says that Emoto and Gamou didn’t even know about? And, like, who in the hell was raising Kengo all this time? How did anyone in Utahoshi’s family think that he managed to have a son without a spouse while he was on the moon?! I sort of love how Kengo Is A Space Baby is literally the only part of his backstory that makes any sense now! That is kind of impressive!)

But the dilemma of Kengo needing to leave, that’s the stuff. It’s an episode that splits off into two parts, where each part is amazing in hyper-specific ways.

I wanna talk about the Rabbit Hatch part first; not because it’s the best part (it isn’t), but because I like how it lets the other KRC members chime in on a plot that that not only doesn’t include them, but doesn’t really require them. Most of these other kids barely know Kengo, and they certainly aren’t his best friends, but it’s neat to get their perspective on whether or not Kengo should go into space, and why he’s being so callous all of a sudden. To the latter point, I like that Ryuusei’s the only one who sees the value in Kengo lying about his emotional state, because that’s what Ryuusei spent half his time on this show doing. Ryuusei thinks that in order to protect the people you care about, you might have to lie about what you’re going through, and that’s something in which Ryuusei can now see the tragedy. Meanwhile, while characters like Tomoko fret over the horribleness of fate, Miu is the pragmatic leader, gritting her teeth and admitting that Kengo’s plan is one that’d save the most lives, so it’s understandable why he’d sacrifice himself like that. This whole scene is just characters chiming in on the plot to help the viewer orient themselves emotionally, but it’s done with such brevity and precision that it was, honestly, almost the episode highlight.

It wasn’t, though, because we had the scene with the Core Trio at the space center.

I love stuff like that, when a show brings us to a place we’ve seen every single episode, but shows it to us in a new way. (See also: a massive battle in the Rabbit Hatch! That Gamou also has a personal history with!) Taking that fun romp through the space center – all duck faces and youthful energy – but now turning it into something melancholy and bittersweet, that’s good storytelling. It’s smart to pull Kengo, Yuuki, and Gentarou into their own subplot to deal with Kengo’s emotional state and planned exit; it’s brilliant to do it in the place that was only ever for the three of them. The speech that Gentarou gives is suitably generous, him vowing to support Kengo endlessly as long as Kengo is honest about it; the little deflecting song that Yuuki sings is adorable for its corny attempt at levity, which was always Yuuki’s move. But it’s the acting that makes the scene unstoppable. When Gentarou is crying his eyes out, and Kengo is red-eyed and sputtering, and Yuuki just needs a hug to let her be okay with her sadness… man, A+. A+ moment for these young actors, when the show needs them to deliver. It’s solidifying these three as the heart of the show, and the stakes of their friendship as the most vital. (And Kengo even does the I’m Finally Calling You By Your First Name To Show That We Are Best Friends thing! I love that move!) The rest of it, the Space Baby stuff and Gamou’s long history of needing to be the Most Special Astronaut, it’s fine, I don’t mind it, it’s great if it means something to you. For me, I care about these kids, and this episode gave me everything I wanted.

You might even say it meant the world to me.

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Sota Fukushi is, hands down, the best ugly crier in the history of Kamen Rider. Nobody else even comes close.