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I think if I got the option, I'd probably go with being a Rider on Ex-Aid. You work a well-paying medical job while also playing video games at the same time! Granted, you and someone else will die if you're not good enough, but I'm pretty confident in my Mario skills. |
Okay, first off, this I've just gotta say this: Die, I'm starting to feel like you've gotten really good at this whole process over time. Maybe it's just that Faiz leaves you with a lot to talk about or something, but episode write-ups like that are A+ work in their own right. You are making an astonishingly good case for how you see this show right now.
Also, changing the format so that it didn't require everything to be in huge, unbroken paragraphs was definitely a smart move looking back, huh? So many words! Quote:
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I don't know if it's Faiz specifically, but I really enjoy emotionally dense episodes like this one, both as a viewer and as someone writing about their viewing experience. Give or take a Ryuki episode that had a hundred ways in and no ways out, they're the most fun episodes to talk about. (Even that Ryuki one got to be fun in its own neuroses-inducing way!) Like, I really enjoyed trying to talk about the Build episodes with the Hazard Trigger. When it's all emotions driving it? That's my stuff. Plot-heavy episodes, honestly, not always that fun to talk about. So much of what makes a plot work isn't in the details, it's in the overview, the arc. Talking about one segment in a long-form plotline, it's like trying to delve into one sentence in a paragraph. Sometimes it's a really good sentence! It might use some neat words! But sometimes, it's just getting you from the previous sentence to the next. Episodes like 36 for Faiz, though, that's where it feels like you're having a discussion with the writer. The machinations are pushed to the side, and now it's time to talk about the heart of the story. Who are these characters. How do they feel. What would it take to break them. These types of episodes, they're so dense, like I said. So many details to obsess over. They are, honestly, so fun to try and talk about. I'm glad I'm doing them justice! Quote:
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I guess this is why you had so much to say about the Takumi reveal. I mean, I expected you to have a lot to say since it's a pretty big deal, but the way it changes everything is what makes it important. The status quo has been destroyed and the characters don't know how to move forward. Smart Brain are now chasing Takumi like a gang of loan sharks (which is ironic since Faiz has a shark motif), looking to collect on his deal with Murakami. Takumi's in a difficult position. He owes them, but what they want, he can't do it. He can't join Lucky Clover if it means being an enemy to humans. Kusaka claims to owe Takumi but this is the second time that Takumi has got Kusaka out of a bad situation after saving him from Smart Brain and it doesn't look like Kusaka intends to repay him. In addition to the echoes of Takumi that Mari and Keitarou saw, the cat licking Mari could've been a metaphorical reminder of him, due to being a nekojita. Quote:
If Takumi didn't seem aware that he was an Orphenoch, it's probably that he was trying to hide it from himself ever since whatever happened at that reunion. He's a guy who prefers to run from his problems rather than confront them so it makes sense that he wouldn't bring it up until Mari's life depended on it. There's definitely a lot of mystery surrounding his involvement in the reunion. But I've already said too much yesterday. |
Not sure if anyone touched on this yet, but my two cents on Mihara Delta: It's established earlier on that most normal people (aside from perhaps other Belt users/already powerful Orphnochs) get poisoned by and addicted to using the Delta Belt. It's only people like Saya and Mihara who don't have a lust for power that are able to use Delta without suffering any ill effects. However, Mihara is just not a good fighter, so while he's able to use Delta, it can never function to its fullest potential.
While I personally find it sad that Delta never lived up to its initial bad-assery (as I love that belt and suit design), I have to admit that it's rather brilliantly ironic/poetic - that the most powerful belt can only be used by the weakest users. Not to mention, it's a great way to nerf Delta and put him on the same level as the other Riders. |
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One of my favorite choices the show made in this episode is that the show flipped the roles of the characters. Usually, it's about Takumi being closed-off, being inflexible, and his friends trying to reach him. Here, he's open, he's trying to put them at ease. They're the ones who end up screwing this up, unable to articulate their emotional needs, unable to communicate with Takumi. With Sawada, all of Mari's conception of him was projection. She wanted Sawada's reluctance to be about him looking for a way back to his humanity, and that was a mistake. Here, Takumi is doing everything he can to reach back to his friends and they're making him feel like a stranger. This story is about acceptance, and how hard it can be to live that. Sawada's story was about the ways our hopes for people can blind us to their shortcomings, how dangerous rose-colored glasses can be in Kamen Rider. Two different stories! Quote:
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Mihara's a sweet kid and all, but if he doesn't see the appeal of becoming basically the greatest, most amazing Rider who ever existed, I mean, can you blame the fans for not liking him? :p |
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