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I suppose, on reflection, that it does tie into the idea that Zi-O may not be the hero you expect him to be. I?m kind of just realizing that as I type this. In hindsight, that does fix some of my issues from a narrative standpoint. It doesn’t fix my issues with the way some of the earlier guest appearances worked, though. I’ll dive into that more in a few episodes, though. Anyway, this episode does properly introduce my least favorite aspect of Zi-O (technically, it was in the first episode, but not in the way that makes it really stand out). I’m talking, of course, about Geiz’s tactical dickie. I am not a fan of Geiz’s battle jammies at the best of times, but then he showed up at the end of this episode in normal civvies but still wearing the fucking dickie, buckles and all. I don’t know if the producers thought kids wouldn’t recognize him or Tsukoyomi without a piece of their normal costumes, but the fact that Geiz wears that thing with every outfit is ridiculous. It is the dumbest fashion decision in all of Kamen Rider, and this a franchise that includes both Shunpei and the 1970s. I have a lot of issues with Geiz, which I have mentioned before and will do so again in this thread, but the tactical dickie is by far the worst element of the character. |
(Fish Sandwich also watched Kamen Rider Zi-O - EP02)
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Anyways, on the subject of the actual episode itself, while you can see in my original post that I was never hesitant to express the sense of trepidation I got from Zi-O even as I was massively enjoying it, there was one particular nagging thought I'm not sure I ever really brought up anywhere at the time. You see, I got into Kamen Rider by watching the first few episodes of OOO, Kuuga, and Ryuki in a very short window. They're collectively my "first" show, and there's one thing they all have in common about how they started gripping me -- the second episode. Yuusuke in that burning church, declaring his intent to protect people's smiles; Shinji ripping up that card, putting his own life at risk to protect others; Eiji refusing to be Aknh's mindless servant even as he's about to fall off a building to his own death. The premieres for each of those shows established the world, but I think it's in the episode that followed where they truly established their heroes, and because that was my formative experience with the franchise, it's something I've come to expect from every Rider show I've watched since. Putting it in terms of Ex-Aid, for example, because I love to do that in these threads, you've got a second episode that ends with Emu deciding to stick with CR as a Rider specifically because he doesn't like Brave, looking straight at Hiiro and saying he doesn't trust a doctor like him to care about patients the way he does. And in that moment, just like the three I mentioned, I gained a lot of respect for the star of the show. So then, Zi-O comes along, and you've got Sougo's whole speech about making time move for yourself in this episode. Looking at it in the broad strokes, it's another example of exactly the kind of thing I'm talking about -- Sougo defining what his beliefs are and how that becomes his driving motivation as a hero -- except, for the life of me, I just couldn't really get a grasp on it at the time. Saying it felt "hollow" wouldn't exactly be right, but like, when you see Kuuga in that church, you are rooting for that dude to save people 150%, you know? I wasn't feeling that for Zi-O in that moment. It was one of the things that made me genuinely worried, if only a little, that this show was going to end up being underwhelming and messy in the long run. But as you can also see in my original post, I was kinda watching Zi-O with a lot of faith? Like Sougo saying "nanka ikeru ki ga suru!!", I took it all in stride, considering the more positive possibility that by the time the show was over, a speech like that would feel like a crucially important part of how Zi-O established its running themes and messages. And you know, I can't say anything too explicit about how that turned out right now, but I will say that I was glad I always kept this scene in mind as the show moved forward. ... Also! I'm going to forget to bring this up if I don't right now, and since you just got done with his initial set of episodes, I wanna give a shout out to Ryuuta Tasaki's direction for being up to the extremely high standard he always meets. There was a bunch of talk about the opening I didn't comment on, but yeah, I liked Over Quartzer as soon as I heard it, finding it an interesting contrast to Journey Through The Decade in its tone, and then I saw the visuals that go with it, and I liked it even more than I already did. There's just nothing like a good Tasaki opening. Actually, I've been reminiscing about myself a bunch, but I'd kinda like to turn back the clock on Tasaki for a moment too, and bring up just how long he's been directing some of the most stylish opening in Toei's tokusatsu shows. His first main director gig was for Seijuu Sentai Gingaman way back in 1998, but the year before that, he was apparently responsible for the opening of Denji Sentai Megaranger, and while it doesn't look like the credits explicitly mention that anywhere(?), when I first found that out, it was like a big puzzle piece falling into place. https://www.youtube.com/watch?v=M_1nvV8SzaE Like, of course Megaranger's opening is one of my favorites in the franchise visually, if it was Tasaki's work. Of course it's cut in such a modern and energetic way that still holds up even now. Of course it manages to get across key traits of the main characters in just a couple shots each. Of course it's so stylish and just downright cool. You give this guy a song that already slaps, and he'll make it even cooler for you. This is very much the case with Zi-O's opening, which has loads of neat visuals, a couple of which end up holding more meaning that it seems like at first. It's also one of the few places you're going to consistently see Zi-O and Geiz on their Ride Strikers! Their poor, poor, neglected Ride Strikers... |
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It sucks now, though! Quote:
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Also, Sougo's incredibly poor grasp of the mathematical formulas that power Kamen Rider Build reminded me of this sketch (since we're posting funny YouTube videos): https://www.youtube.com/watch?v=PGjKL9UZiMU Quote:
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These thing, appropriately enough, take time. Quote:
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It honestly funny that ZI-O an anniversary season of Kamen Rider has the least used bike in all of Rider history.
https://i.redd.it/mv5tmf2dlop71.jpg |
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And because I didn’t mention him in my last post, I?ll bring up the Another Build here. His human self gets no name, because Shirakura planned to bring him back later (and in a series where ideas were thrown out due to budget, scheduling and time constraints, he actually did reappear). And I’ll mention that he sets the mood for the Another Riders be being the exact opposite of the original (Namely, he’s a dumb butt-face who traps people in Smashbottles, contrasting how Sento was a genius physicist who freed people from Smash essence) and beginning the trend of the Another Riders having traits of the monsters from the series they represent (in his case, his body is made of scrap metal and he goes more berserk with every bottle he ingests, similar to the Smash). If that doesn’t give you an idea of what to expect from the rest, I don’t know what will. |
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Mostly unrelated, but I just realized while looking at this list that Revice doesn’t even have a motorcycle. |
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There's a bit from the (very awful) Man of Steel movie that I'll never forget. It's near the end, after Superman has defeated the villains and their apocalyptic machinery. Metropolis is in ruins, but Superman is slowly descending towards a group of survivors, carrying Lois Lane. One of the survivors looks up at him and, voice trembling with awe, says, "He saved us." She's saying this in the rubble of the blasted hellscape that was once Metropolis. Untold thousands have died. Possibly hundreds of thousands, as buildings were demolished in Superman's brawl with General Zod. "He saved us." It's a hilariously misapplied sentiment, the filmmakers missing the devastated forest for the character arc trees. Superman is now seen as a hero by the people of Metropolis! ...it just took most of them dying for him to get this reward. It's like that with Zi-O's end to this Build story, where Sougo and Geiz have overcome this monster, gained new powers, saved the day... and it only cost us one of my favorite Kamen Rider shows. Hooray for our new heroes? Quote:
https://kamenriderdie.com/images/kr/zio/zio1a.png https://kamenriderdie.com/images/kr/zio/zio1b.png I wish I had a good jumping-off point for these posts! I basically just start writing. Quote:
Neither speech has that early punch that helps define a Rider's process or journey or whatever. They're each problematic in different ways. The first one is horrifying if you think about it for even three seconds (which would be two seconds longer than Sougo thought about it), and the second one... I just don't really get it? I think I do -- I read it as Sougo valuing personal motivation over outside instruction -- but it's hardly the sort of crystal-clear But Why Heroism that you'd hope for. I think this show will get there, though. I also have faith. |
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The second paragraph is starting to steer a little bit into spoiler territory (please don't mention if someone comes back!), so if we can tone the specifics down, I'd appreciate it. Thanks! |
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