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Power Rangers having a culture of cheapness has hurt the franchise so much
There is a big culture of, "cheapness" that has hurt Power Rangers. Imagine if the show was unionized a bit earlier. I feel like the franchise could be in a better place.
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I'm not sure I agree with the thesis, as PR did quite well for itself, despite its 'cheapness'. In fact that might be one of the things that gave it legs in the early days was how low cost it was. It would have definitely been more attractable to the people pumping money in.
Also regardless, how the money was used was better than how much they got. Look at how Godzilla: Minus One for instance. |
I would say that the problem is not cheapness, but stagnation. The approach: “let the Japanese do all the special effects” worked in the 90s and even in the early 2000s. And this is not a fact, given that only PR and the Beetleborgs achieved success. But the mix of the advent of the Internet and the high popularity of Japanese culture required innovation. PR ignored them, trying to ride on the chips of the past and nostalgia. Even Cosmic Fury didn't exactly go too far.
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Also: in essence, PR didn’t exactly reinvent the wheel. "Godzilla, King of the Monsters" from 1956 and the American version of Varan are made from the same patterns. Haim Saban simply expanded on this approach and proved that it still works 40 years later. And they treated the Japanese with respect. When Roger Corman released Battle Beyond the Sun and Voyage to the Prehistoric Planet, the Soviet originals were not even mentioned in the credits.
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It would also be possible to take an example from the Sentai trend, but just from the trend, without directly copying the plot and character. I mean adding an older member to the team. PR did this with Tommy and Billy, but the past Rangers played the role of fighting mentors due to their experience. And I mean an older character with no combat experience. It would definitely add an interesting dynamic. Here you can even play continuity by saying that this participant was studying in Angel Grove at the time when the first Power Rangers appeared. The main thing is not to overdo it with nostalgia. If I imagine that I have more opportunities, then I would try to establish closer relations with Toei. Arrange at least cameos from the original Sentai actors in PR and PR actors in later Sentai. And a full-fledged crossover, at least in anniversary years. It would be very difficult to pull off, but the fans would appreciate the result. Also, it always bothers me that PR has the rights to the show before the Zyurangers and does nothing with them. It seems to me that, given the remade stories from these shows, they could be used for blockbuster films, like PR 2017. These are roughly my thoughts. |
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I agree with the stagnation comment as I think nostalgia has become a crutch for many companies. It is possible we could awe new developments in the future...but I fear that they'll still be based around mmpr |
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As for the topic at large, it's not necessarily the "cheapness of the franchise" that hurt it, but the "cheapness of the license holder"! If Saban actually cared for his actors more, then things might have turned out much differently. The only time I think he truly came correct was with Lost Galaxy. |
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Speaking of cameos, I just remembered Yoshi Sudarso was in an episode of Ninninger as a civilian and Yakumo/Aoninger saves him from the monster of the week and then tells him to escape.
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Anyway, I think Power Rangers only truly began stagnating during the Neo Saban era. The late Saban era was honestly trying new things, and while the Disney era did feature several series that followed the Sentai very closely, they were also willing to put in more money per season (Barring SPD Omega Ranger), letting the seasons feel more distinct. Neo Saban was too desperate to try and recapture that lightning in a bottle, trying to use a formula that worked in the 90's. |
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Imagine what this franchise would be if it wasn't for its cheapness. PR could be as popular as TMNT or Transformers.
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You could say that but also look at those franchises as they are. It’s just the same characters over and over. Tmnt is the same 4 turtles redone for newer/younger generations. Transformers is just g1 over and over for newer/younger generations. The power ranger equivalent would be a tv show every year but it’s just mmpr over and over. Do we really want that?
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Honestly, I didn’t think Ninja Steel the show was all that bad, the toys on the other hand...yeah, BoA cheaped out on then and made odd decisions like the lion mega zord (actual name escapes me at the moment) getting a size increase to double as a playset but ruin a kids chance at having the ultrazord match what was on TV.
Dino Charge was brilliant however. |
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I feel Power Rangers is dying....
We don't have any new heroes to replace them.... No more Beetleborgs? No more Mystic Knights? No more VR Troopers? Kamen Rider being adapted wouldn't be acceptable to some. And Ultraman is stuck as a dub. What'll replace the Power Rangers then....? It's not even grown up & maturing enough... |
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If the show became union, it wouldn't have lasted in the slightest, since despite making record profits, for some reason no one wanted to reinvest that money back into the franchise. |
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The non-unionization aspect has always been an issue and one that's inflamed me in the past.
SAG-AFTRA has long been in opposition to the franchise, and in later years, actors who've been offered a return appearance have had to decline because they have gained union membership in those later years and can't risk appearing in a non-union show lest they lose said membership. Ever wonder why RPM Red stayed morphed the entire time he interacted with the Samurai team? It's why I think SAG-AFTRA needs to adjust their thinking and make some much needed policy changes. That aside, I do think it's time for unionization cause this isn't 1993 anymore. The non-union aspect is what allowed Saban to shaft his actors and why we had a cast change in Season 2 to begin with! |
Speaking on the union issue. I think it’s wild that the show stayed non-union all through the different ownerships. Like the fact that it was still non-union under Disney as well. Yes Haim Saban was a scum bag for doing that to the actors (Even if he did basically own all the 90s kids shows). What I don’t get is why did Disney continue that tradition?
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Because they didn’t want to spend any more money on it than they had to. In fact, they woudlve cancelled it right away after they got it, before the New Zealand option came up.
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That’s great point actually which brings me to the next question of why Disney gets no shit for it. I mean sure, their uncaring of the property led to probably one of the best seasons of that era if not the whole series (RPM), but they still did employ the same tactics as saban. They didn’t want to spend more money on it so they went as cheap as possible. Saban pretty much did the same thing but “cared” enough to see it survive. One could argue that Disney treated the series worse than Saban and yet Saban gets the shit for it. I’m not praising Saban here. I’m just saying that there’s shit everywhere. lol.
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Probably because some people think of the ends justifying the means because they loved the shows in the Disney Era.
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And there are shows that are beloved in both Saban eras as well. I mean hell, a MMPR meet and greet literally shutdown the California highways back in the 90s. Point I’m making is that no matter who owned it, it was never treated like the beloved show it actually is. There was hints of it being treated great (certain Bandai employees during Dino charge for example), but it still was treated like a back burner “oh right this show exists” type of show by the execs and the fault doesn’t only belong to Saban. In fact Saban is probably the only guy that tried to make it work, outside of actually paying the actors properly. (I have issues with how unions work being in one myself but that’s not a discussion for this thread)
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I suddenly thought of this. All the options I proposed above for correcting the situation are already late and require a greater infusion of labor and money than was done previously. But if PR owners want to keep the same approach, why don't they just change the source for adaptation? That is, for example, Chinese Armored Heroes even have a fansub only for the first two shows. Also, current Chinese culture is much less familiar to the average American viewer than Japanese culture. And she can always be accused of promoting anti-democratic values. Plus, Alpha Animation, a major player in the Chinese tokusatsu market, has connections in the US, working on Ben 10 and other projects. I'm not saying that this approach is ideal and I’m not even sure that the contract with Toei will allow such a transition while preserving the PR name, but this step can be considered as an option for the owner who does not want drastic changes in the American/New Zealand part of the filming.
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In short you'd be changing so much of the base formula that makes Power Rangers, Power Rangers, that you'd be better off starting from scratch. |
There’s also the Korean tokusatsu which even uses the power ranger name at times.
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