[KabuSento]

What makes Zero-One aesthetically refreshing is that there’s a certain sleek modernism to the designs, all of the textures and finer details really didn’t look like anything from the vast majority of Heisei. I figured that would something of Reiwa’s calling card to make the era their own than jump back into Heisei style designs. Tack on whole idea with making Zero-Two a simple, non conventional final form is telling Bandai is thinking a little differently with the brand.