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Thread
:
Kamen Rider Die watches Masked Rider Ryuki
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05-01-2020, 06:48 PM
#
683
Kamen Rider Die
Kamen Ride Or Die
Join Date: Aug 2019
Location: Chicago, IL
Posts: 6,734
Quote:
Originally Posted by
DreadBringer
OK... you have written your overview, though dunno if you're open to knowing more of it (especially as you're going to ditch it), as I haven't posted my review yet.
Also nothing to say about my latest reply?
I'm only one man! I'm doing my best!
Quote:
Originally Posted by
DreadBringer
Zolda's Strike Vent though...
Sure, Zolda's got a Strike Vent, but he's still a long-range fighter. It's like fighting games, y'know? Different fighters have different movesets, are good for different roles. In Ryuki, Tiger's a close-combat fighter, Ouja's a quick striker, etc. Zolda's thing is long-range attacks, and that's something Goro never concerned himself with. He's only one man! He's doing his best!
Quote:
Originally Posted by
DreadBringer
I'd just instead directly go with "Knight's abrasiveness" instead of "Reiko's assertiveness". She has a loose sense of morality. Both Ren and Miho are criminals outside Rider form, the former being a violent thug, and the latter being a con artist. Between all of them, obviously Femme resembles Knight the most, with Miho is also a foil to Ren. Both becomes close to Shinji. But while he's primarily black and blue, Miho's white and black.
But Reiko's able to harness other people to get what she wants (I mean,
Kitaoka
), while Ren... you know, people skills
aren't exactly in Ren's Card Deck.
Quote:
Originally Posted by
DreadBringer
I find Femme's Final Vent to be an another lackluster one though. It's just striking an airborne enemy with your Sword Vent.
Oh, I dug it! Her Contract Monster becomes a fan, forcing enemies into her blades? I thought it was neat.
Quote:
Originally Posted by
DreadBringer
Fair enough that this gives a fairytale feel, but the TV series one has it being done in really desperate situation with no other way out. Yui died instead of just wanting to play, and both her and Shiro are stuck. So Mirror Yui gives her a life force, with the explosion freeing them from the room they're locked (and killing their parents) allowing them to resume life normally.
I mean, that's the thing, I think it works better in the movie because it's a more accidental, regrettable choice. Yui dying (just
dropping dead
, out of nowhere) means that everything after that happens
to her
, not because of her. She's someone the plot acts
on
, not an autonomous participant. With the movie, she makes a conscious choice. She's active in her story. It's a tragic choice, and one with massive, unforeseeable consequences. I don't know. I'm always going to pick a version of a story that includes a decision by a character over one that doesn't.
Oh, and the movie tries to make Shinji culpable, with his staying inside being the reason a lonely Yui plays in Mirror World, but it's an absurd moment in the film. That... it's not something that even the most empathetic Rider could feel guilt over. He was a kid! It was raining! He didn't murder Yui by staying in!
Quote:
Originally Posted by
DreadBringer
In this movie Femme wants to revive her big sister, so shouldn't Shiro be able to revive Yui after she committed suicide here as well (or no need to impose time limit)?
But Miho's sister wasn't dead, she was just on ice. She was in cold storage until medicine advanced enough to find a cure for, uh...
being stabbed with a broken bottle?
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