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Thread
:
Kamen Rider Die watches Kamen Rider Zero-One (and builds SO-DO)
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08-01-2022, 06:13 PM
#
633
Fish Sandwich
The Immortal King Tasty
Join Date: Jan 2012
Location: Every diner you've ever been to.
Posts: 4,060
32 marks the start of another stretch of episodes written by Masaya Kakehi, which I'd imagine means Takahashi was writing the summer movie around this point. You know, under the impression he'd actually need to have that script ready
by
summer. Funny how these things work out, huh?
At any rate, as I've said before, I think they're both equally capable of turning out thematically rich and dramatically compelling Zero-One scripts, so as always, I can't imagine anyone noticing the difference without being told. Kakehi did a good job here.
And someone who maybe did an even
better
job is Ryuuta Tasaki, joining Zero-One for the first time to provide his usual insanely competent, crystal-clear direction. That bit where Naki's rejection of life as a mere tool is accompanied by that static going away -- a newfound literal visual clarity matching the metaphorical clarity of newfound
purpose
-- is probably one of my favorite shots in the whole series? I mean, I talk up Ishida the most, but man, it never stops impressing me how
directly
Tasaki can convey these things.
Really, I think the big testament to how well-executed this episode is is that we've barely known Naki as a character up to this point, and somehow this story doesn't end up feeling all that rushed or sudden.
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