[Mesnick]

When it comes to subtitles or dubbing, it all comes down to quality. Not only is the art of dubbing itself not very developed in the English-language segment, but the difference in acting approaches also comes into conflict. In Japanese and in Asian art in general, they prefer overacting and grotesque emotionality. Even if the character is unemotional, he does it pointedly, playing a robot who won’t be surprised even if he meets a dinosaur. At the same time, a much more relaxed approach prevails in the English-speaking environment. Just remember how many recognized and successful Hollywood actors spend 90% of their screen time muttering something under their breath, occasionally smiling. Because of this difference, when dubbing, a problem without a solution will inevitably arise: if you voice expressively, as in the original, it will be unnatural for an English-speaking viewer; and if you do it according to your standards, then dissonance between sound and picture will arise.