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#241 |
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Echoing Oni
Join Date: Jan 2012
Posts: 10,794
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I love a good "No, I'm not dealing with this" gag and 22 had a fantastic one when Haruka opened the door on Fourze and immediately closed it again. Loved that bit.
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Fourze 21-22
This arc is pretty memorable for a couple of reasons. The first of these is that it introduces the first new Horoscope, something which will stop being a huge detail when the show's pacing issues makes most of them ordinary monsters of the week near the end of the series. This one is a proper threat, though, and will be around for a good while to come. I remember not liking the guy very much, though, so I'm not exactly thrilled that I'm up to his arc. The other memorable thing is the main guest star, Nao Nagasawa.Nao is, of course, one of the most prolific tokusatsu actresses of the 2000s and 2010s, having appeared in all of the major toku franchises - Sentai, Rider, Ultraman, and Garo - plus several other shows and movies. She's a talented martial artist in her own right and one of director Koichi Sakamoto's major muses. She joins the cast of Fourze as Gentaro's new homeroom teacher, his new martial arts trainer, and the first non-evil teacher to learn his secret identity. This is an important role, which is why she won't appear again until a cameo near the very end of the series and/or the summer movie, I forget. Still, she's predictably great here as the reluctant face-kicking teacher; I would have happily traded getting more of her instead of the obnoxious Cancer guy. I did like how this episode tried to misdirect the viewer into thinking Nao was the monster. It didn't work as well on a rewatch, but there was some stuff with Virgo that makes way more sense if you know what her deal really is. This was a fun arc, overall, and probably one of the ones from this part of the show that I remembered most clearly. Has Yuki gone crazy yet? We're definitely getting there. She showed up for her career counseling appointment with her shuttle hat and some plush satellites on her wrists. That is not normal. Still, that was only one scene and nothing else really pushed deep into crazy town. If anything, I thought it was pretty funny when she and Tomoko tried to spar with each other. |
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#242 |
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Kamen Ride Or Die
Join Date: Aug 2019
Location: Chicago, IL
Posts: 6,912
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Quote:
I still liked these episodes. I think it's a pity that Haruka doesn't take Sonoda's place in terms of actually showing up on screen, but it's Nao Nagasawa so I'm going to be unavoidably biased. It does seem weird that the character isn't more prominent from here on out, but Kamen Rider generally doesn't do a lot of recurring characters, just regulars and guests. I'll talk more about my thoughts on this in a few arcs.
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Currently rewatching: Kamen Rider Fourze | Other series available on the archive!
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#243 |
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Kamen Ride Or Die
Join Date: Aug 2019
Location: Chicago, IL
Posts: 6,912
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KAMEN RIDER FOURZE EPISODE 23 - “TEAMING UP WITH SWANS”
![]() Despite the presence of Cancer as a new Horoscope to deal with, this one had a real old-school Fourze feel to me. There’s a Zodiart, it’s running around causing trouble, all while a new subculture of students enters the picture. There’s not much in the way of escalating conflict – Cancer might as well be a more talkative early-days Scorpion, and none of the other Horoscopes get involved in this story – and stuff like Meteor’s secret identity is a fun wrinkle, nothing that’s really driving the plot. (Ryuusei does get to ask the big Can A Zodiart Be Good question, but this episode answers it with a resounding Not Cygnus.) It’s just the viewer meeting some weird new characters, and exploring a bizarre hero-worshipping subculture that’s grown at Amanogawa High. Like, that last part is kind of this whole episode, for better or worse. The Ugly Ducklings are so complex and involved that you can’t really shorthand them the way you might Goth Witches or whatever. Cygnus is new, so that takes a minute to establish; Eguchi’s cosplay gimmick is new, so that takes a minute; the Ugly Ducklings’ headquarters at the abandoned site of the pool hall beneath the Narumi Detective Agency (!!!) is new, so that takes a minute; Misa’s combination recital/motivational speech/workout is new, so that takes a minute. The Ugly Ducklings… there’s a lot there, and sketching it all out – alongside four different Cygnus appearances (including two fights!) – eats up a whole lot of this episode’s runtime. This is an episode where we are kind of on this journey with the KRC, and there’s not a lot of room for them to do more than observe. But it’s all pretty bonkers, so I don’t know what else you can do besides let this story of Temu Sieg play out until the heel turn. There’s some fun stuff to potentially interrogate with hero worship, and drawing the wrong lessons from warriors, and whatever is going on with Eguchi and Misa, but, again: sort of too much bizarre Ugly Duckling stuff to define for there to be much storytelling pushing things forward. The details are super weird and fun, so it’s never boring, but I definitely got to the end of this episode feeling like there were a bunch of details, but I wasn’t sure what story was being told yet. I like the details a lot, though: great to see Miu corralling both Kengo’s bruised ego (he really wants Gentarou to stop doing anything other than testing Giant Foot!!!) and Shun’s weird footwear anxiety to get the investigation moving forward in a very offscreen way; any time spent on the chemistry between Tomoko and Ryuusei is a winner; I’m sure Ryuusei’s conversation with Tachibana won’t take on a great significance down the line; of course Gen and Yuuki both almost end up joining a heroic cult; and oh my god Gentarou scored a 4 out of 100 on his test.
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Currently rewatching: Kamen Rider Fourze | Other series available on the archive!
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