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05-12-2021, 10:37 PM | #651 |
WONDER RIDER
Join Date: Oct 2017
Location: Australia
Posts: 2,713
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Speaking of Gaim, I do wonder what Kouta and Mai's daily life on their new planet is like.
I like to think that they take regular vacations on Earth as being by themselves on a planet with no one else to interact with (animals withstanding) must become boring at times, utopian paradise or not. I also do wonder what their kid would be like if they would have one. Would that kid also inherit their powers?
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05-13-2021, 08:05 AM | #652 |
Banned
Join Date: May 2017
Posts: 667
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I feel like a fucking moron for realizing this so late, but Touma is a Kamen Writer.
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05-13-2021, 08:25 AM | #653 |
Reiei
Join Date: Sep 2018
Posts: 3,691
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Quote:
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05-13-2021, 11:01 AM | #654 |
Suprise Gamma Future
Join Date: Feb 2020
Location: USA
Posts: 2,852
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We've only seen his bike like 2 times. So yeah, that's definitely a better title.
Also, I just compared the Diago Speedy to the real life bike it's based on, the HONDA CRF450L, and wow, that was an incredibly lazy conversion. If it wasn't for Hibiki using a straight up real-world bike, I think it would be the most basic looking rider bike so far.
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Last edited by ShiShiLeo; 05-13-2021 at 11:11 AM.. |
05-13-2021, 05:03 PM | #655 |
Yodonna oshi
Join Date: Jan 2021
Posts: 748
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“There is some pressure,” Uchida admits, “but unlike with Ultraman where the scripts are finished before filming even starts, Kamen Rider scripts are written as episodes are filmed."
Oh, I get it now. (source) |
05-13-2021, 05:19 PM | #656 |
Kamen Ride Or Die
Join Date: Aug 2019
Location: Chicago, IL
Posts: 6,159
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Quote:
“There is some pressure,” Uchida admits, “but unlike with Ultraman where the scripts are finished before filming even starts, Kamen Rider scripts are written as episodes are filmed."
Oh, I get it now. (source) Writing a TV show isn't like writing a book. It's not about tying together every thread or making sure every development is appropriately foreshadowed. I mean, those are good things to do in a TV show! But I think a TV show's most important attribute is flexibility. Like, if you're writing everything in advance, you can't respond to what the actors and directors are doing. You can't be surprised or inspired by those little bits of magic that occur on-set. You're locking yourself into the story in your head, instead of the art in production. I love the idea of a year-long series that gets to see what's working and adjust to it in real-time. It feels more collaborative, and that just makes more sense to me? I don't know. I am totally okay with Kamen Rider writing as they go!
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Currently working on: Go-Busters is next! Archive of previous shows on KamenRiderDie.com! |
05-13-2021, 06:00 PM | #657 |
Alias: ZeroEnchiladas
Join Date: Aug 2015
Posts: 2,570
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Oh I totally get what you're saying, honestly I love the versatility because that means there's a lot more room to play around with things based on how people react.
Stuff like characters getting upgrades that were never planned for them due to popularity, coming back, etc. While Ultraman does do a good solid narrative what with writing and filming way in advanced. But sometimes I feel like that does limit the more recent Ultra Shows in that way. Cause you're just sort of following directions and you aren't able to really put anything fan's might want more of into it as a result. |
05-13-2021, 06:05 PM | #658 |
Kamen Ride Or Die
Join Date: Aug 2019
Location: Chicago, IL
Posts: 6,159
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Quote:
Oh I totally get what you're saying, honestly I love the versatility because that means there's a lot more room to play around with things based on how people react.
Stuff like characters getting upgrades that were never planned for them due to popularity, coming back, etc. While Ultraman does do a good solid narrative what with writing and filming way in advanced. But sometimes I feel like that does limit the more recent Ultra Shows in that way. Cause you're just sort of following directions and you aren't able to really put anything fan's might want more of into it as a result. I think that's enormously valuable in TV production. That ability to see the end product in stages, and get to tweak all the little pieces to adjust for it.
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Currently working on: Go-Busters is next! Archive of previous shows on KamenRiderDie.com! |
05-13-2021, 06:43 PM | #659 |
Warrior of Delusions!
Join Date: Jun 2012
Location: Wait, you dont know either?
Posts: 5,825
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I guess both methods have their advantages? Flexibility is good, but if you go too flexible you risk making your story less cohesive start-to-finish, while rigitidy guarantees you live (or die, tbf) on that initial vision and have no room to course correct?
Also, considering Ultra series are half the length of Rider and Sentai, I guess it makes more sense that one is written much more "on the fly" than the other? Hard to come up with a 100% cohesive plan when the enddate is a year away!
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Check out my occasional ramblings! https://akibamusings.blogspot.com/
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05-14-2021, 12:38 AM | #660 |
Yodonna oshi
Join Date: Jan 2021
Posts: 748
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Quote:
For the longest time, I've felt like there have have been moments in shows where I just don't follow how A has led to B, where it feels like the show has jumped several episodes ahead without laying the groundwork, and it's been driving me crazy making me think that it's either a language thing or just me being a dullard. This especially has been a problem for me with Saber, and I know that the general census is that the show's story is "good" now, but, forgive me for being a curmudgeon, but I often feel that what people are saying is that actually the fight sequences are good. I get this is probably just a me thing, and I'm not silly enough to know that kid's TV doesn't live and die by its panache, the excitement and merits of such as Sakamoto's fight choreography, and the last thing I want to do is insult the staff... but reading this interview definitely made me feel as if I finally had an answer as for why Saber felt so jumbled and contradictory and repetitive in the unfolding of its narrative. /end grumpy old lady rant. |
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