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If the show were going for that angle it probably would've come up a lot more. For comparison, Wizard just the year before was hugely motivated by the tragic loss of his parents, and you can tell because it forms the backbone of almost every episode involving Haruto's backstory. Quote:
Easy example of both: Marika. She serves so little meaningful purpose in the story you could write out half of her moments and give the other half to existing characters. I think the single most significant she got was interacting with Micchi after she first showed up, and mostly because she gets to have a conversation with him about "serving two masters" or whatever that ties into his dilemma of trying to work for Yggdrasil without losing his friendship with Kouta. In general, the Energy Riders are meant to be foils to the guys they share design traits with (Zangetsu/Gaim, Duke/Baron, Marika/Ryugen), but the parallels between them stop WAY quicker than those other two pairs. But what about that other guy, Sigurd? Because here's the thing, he was a foil to Micchi even before he became a Rider, egging on his darker side and generally reflecting the slimy a**hole he could become. Even afterwards, they end up in an alliance for several episodes, united by their mutual hatred of Kouta. So why is Marika even still here? Ryouma mentions at one point (episode 18/19-ish, I think) how she hasn't ever gone all out yet (or words of that sort), but nothing EVER comes of this, begging the question of why you would even write those lines in to begin with. She doesn't ever turn out to be some amazing fighter or anything, certainly not against Kouta, becoming just as much a joke as Sigurd when fighting him. And it's not like this is implying she has some hidden agenda nobody knows about, either, because, you know, she doesn't. I'm not grumpy about her the way I am stuff like the ending, since she's a relatively minor part of the show, but Marika really was a massive waste of a character. I guess Bandai just HAD to have four new Riders, or something? Maybe? |
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ONDUL! |
Speaking of Kenzaki, I remembered that Gaim's ending was supposed to be as tragic as Blade's ending. I mean basically Kota and Mai decided to fight the fate itself and went out from the Earth. However, unlike Blade, the whole tragedy that Gaim tried to made wasn't as impactful like Blade. Mainly, it was because of the epilogue and yep, it's one of the element that most of Gaim's haters seem to lash out. You know the epilogue made a suggestion that despite it was so far away from Earth, Kota still could come back at anytime he wants as long as he is needed. Unlike Kenzaki, despite he STILL on Earth but of course he must seclude himself from his friends or even normal people at best. It's just heartbreaking that he is doing this for a single person and that he lives in a lonely life. Basically, the epilogue just gave a good spotlight on Mitchy so anything other than that basically is just too headscratching.
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It wasn't exactly a trip to the 100 Acre Woods. |
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Gaim's ending was pretty far away from a tragedy. The word we're looking for here is bittersweet. |
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