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#481 |
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Echoing Oni
Join Date: Jan 2012
Posts: 10,835
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#482 |
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Veteran Member
Join Date: May 2019
Posts: 3,036
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So for a fun fact, Shun’s mother is voiced by the same VA as Virgo. No wonder she freaked him out.
Also, I said back in the teens of this rewatch that Tachibana originally had a different name in the planning stage, and I’ll now reveal that the name was Emoto. They changed it because they realised that the guys whose name is “Otome” backwards might be a likely candidate for Virgo in the minds of the audience. As you’ve seen, they still found a use for the name. Also, the surprise return of Rocket States. I guess someone just wanted to reuse the suit. |
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#483 |
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Kamen Ride Or Die
Join Date: Aug 2019
Location: Chicago, IL
Posts: 7,029
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You are welcome and/or I'm sorry!
...see, now I'm thinking that it was Virgo calling out to Shun when he was in the shower, not his mom, with Emoto laughing to himself about how he was tricking this kid before unleashing his holes on him in the bathroom. Emoto's gotta find the fun in this inappropriate plan!
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Currently rewatching: Kamen Rider Fourze | Other series available on the archive!
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#484 |
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Veteran Member
Join Date: Jan 2020
Posts: 1,591
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Quote:
KAMEN RIDER FOURZE EPISODE 41 - “ALL CLUB ACTIVITY CEASES”
Where Shun can be scared by the terrible glory of bathroom holes, and JK’s just permanently terrified, Miu reacts to Virgo’s threats with the type of unbending steel and smirking resolve that comes from being the best President the KRC ever had, or ever will have. In a series full of heroic declarations, and an episode full of powerful moments of vulnerability, the scene of Miu first telling a murderous Horoscope that they’ve already lost to Fourze without knowing it, and then backing down (with spite and venom) only because an innocent person would be in the crosshairs if Miu fought back… series highlight for me. Miu’s my favorite Rider on this show. Quote:
But the training montage itself just feels like it’s killing time, and trying to provide an amount of Suit Action that the plot more or less is not equipped to provide, at least in a configuration that would move the plot along. It’s visually pleasing, in a stunt show -slash- Taisen conclusion way – explosions and wirework at Kamen Rider Quarry – but it feels like not the sort of thing this show needs right this second. (It doesn’t help that Training To Not Need Friendships feels like a non-starter for Gentarou, even if he’s reluctant to ask his friends to endanger themselves to defeat the Horoscopes. Like, this is not a good plan thematically!) It’s slightly goofy, just after Yuuki’s stark terror and Miu’s gritted sacrifice, and I don’t… it sort of feels weird here? Without the show acknowledging how weird it is?
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Speaking of weird: Hayami! Yes, we are at the dawn of the Tachibana endgame, so it makes sense that Hayami would be here for it. (wink!) He’s hilariously squirrelly and cowardly here, suddenly unclear on what Gamou’s doing, how it’s going to affect him, and who all is even in the goddamn group he’s been operating alongside the past year, which is a plot development that strains credulity, even if it delivers some fun distractions vis a vis Leo threatening a petrified Libra, which is always a good thing for the show to bring back. Hayami not knowing what exactly he signed up for after enacting a major portion of this plan and now getting the first frosty toes of cold feet is just… like, it feels poorly motivated, at least for its speed and impetus, if not for its result. I am not sure why Hayami is acting like he just joined this group, and it’s bizarre to think he’s been neck-deep in Switch Distro without an inkling of where this was all heading. But he’s a sweaty mess now, which is one my favorite modes for that actor, so I’ll let it play out.
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*I think one of the problems I have with this story, and maybe the ones right before it, is that there's a difference for me between a Zodiart and a Horoscope -- while the Zodiarts are shown as wounded souls being preyed upon by folks like Scorpio and Libra, the Horoscopes are largely presented as making a conscious, albeit misguided, choice. Sugiura is warped by both the Switch (ostensibly) and his love for Sayaka (definitely) but he still serves Gamou and Hayami while enslaving the school. It's neat that Gentarou's typically able to see past Sugiura's poor choices to find the big-hearted kid beneath them, but his actions were still cruel and villainous. I don't know that eventually regretting them should absolve him of whatever enmity the rest of the school may have for him, and it's kind of pushing it for me for Gentarou to forgive him on behalf of the whole school. If he were just a Zodiart, maybe; as a Horoscope? I feel like we are narratively outside the bounds Pobody's Nerfect! Feels like Sugiura should have to earn his enslaved classmates' forgiveness! I am pretty sure we were just in a two-episode story about the value of independence and personal decision-making!!!
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I guess a fitting punishment for Sugiura would've been for him to get beat up by those he imposed his rules on, like how Gentarou let Makise get beat up by the girls he attempted to murder? His student council even abducted the cat idol Mina, so he no doubt made a lot of enemies who won't forgive him easily, at least not without Gentarou vouching for him changing his ways. Perhaps it's for the best that the plot managed to get around this dilemma by sending him to the Dark Nebula.
As said above, a hero accepting a redeemed villain, even if not easily, may be seen as pushing to have it done at the behalf of the villain's victims, of which, many brought this up towards villains who has murdered many, as the damage they do are irreversible, thus they're the ones seen as irredeemable. Maybe the popular take by this is that, Sugiura wouldn't fit said irredeemable criteria and maybe viewed similarly as those who commit petty or victimless crimes, such as theft, vandalism, or speeding, as his villainy can just be undone by removing the brainwashing, and everything would be normal again, like how those crimes in said list can be undone by them returning, compensating, or repairing stuff, thus they're seen as redeemable (or have people downplay them as never being bad in the first place as they never murdered anyone), while for something like murder, it can't be undone (and not all fantasy settings also can). To vouch for characters like Gentaro to at least let people like Makise or Sugiura being beaten up by their victims, is why people also vouch for characters like Shinji to stop being so "soft" and go pay evil unto evil against the threats, where the people they're talking about are people who are at least as bad as Makise or worse (even if they're more likable to audience to watch such as Asakura), such as Sudo, Jun (Shibaura, not Shigeno), or Asakura. You may see punishing cruelty with more cruelty different to Gentaro letting those people be beaten up, but it seems to be a lesser version of it based on how for those who complain about superheroes having a "no kill rule", if they can't do it, at least in their eyes, they have to let other more ruthless anti-heroes kill those villains they refuse to dirty their hands for. Quote:
I mean Nakamura might've been okay with it at the time as an occasional comedic OOC thing. Maybe he simply got complacent and didn't realize how far Sanjo would go with it to the point of it becoming the thing Yuki is mostly remembered for. I don't agree with it either as I prefer the more realistic nerdy Yuki, but I think there was merit to her quirky depiction in the Hound Zodiart arc, back when that wasn't her default state so the contrast actually worked for the joke there.
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The most complete non-wiki encyclopedias for Kamen Rider series (currently only found Ryuki and OOO's). |
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#485 |
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Kamen Ride Or Die
Join Date: Aug 2019
Location: Chicago, IL
Posts: 7,029
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I think it's also, like, Miu leaving the Club when it's the last thing she wants to do, but she has to do it keep other people safe... that's exactly what Gentarou's doing by letting his friends leave the Club, even though it's the last thing he wants to do? Her and Gen, they're fundamentally the same, and I think it's great for the show to have the non-powered characters (or Miu, at least) show the same heartbreaking calculus as the Kamen Riders. It's one of the best things in the episode!
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Currently rewatching: Kamen Rider Fourze | Other series available on the archive!
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